|
gptkbp:instance_of
|
gptkb:opera
gptkb:novel
gptkb:film
|
|
gptkbp:adaptation
|
gptkb:film_adaptation
gptkb:musical
gptkb:ballet
gptkb:opera
gptkb:film
|
|
gptkbp:adaptation_year
|
gptkb:1971
gptkb:1981
gptkb:2000
|
|
gptkbp:adapted_into
|
gptkb:opera
gptkb:film
|
|
gptkbp:art_style
|
lyrical and expressive
|
|
gptkbp:audience
|
provokes thought and discussion
mixed but generally positive
|
|
gptkbp:author
|
gptkb:Thomas_Mann
|
|
gptkbp:awards
|
gptkb:Cannes_Film_Festival_Best_Director
|
|
gptkbp:based_on
|
novella by Thomas Mann
novel by Thomas Mann
Thomas Mann's novella
|
|
gptkbp:box_office
|
$1.5 million
|
|
gptkbp:character
|
gptkb:Tadzio
gptkb:Gustav_von_Aschenbach
the hotel manager
the elderly woman
the gondolier
|
|
gptkbp:character_arc
|
Aschenbach's tragic downfall
|
|
gptkbp:character_development
|
psychological depth
|
|
gptkbp:character_motivation
|
Aschenbach's pursuit of beauty
|
|
gptkbp:character_relationships
|
internal struggle of Aschenbach
|
|
gptkbp:character_traits
|
introspection
isolation
aestheticism
|
|
gptkbp:choreography
|
integrated into staging
|
|
gptkbp:cinematography
|
gptkb:Pasqualino_De_Santis
|
|
gptkbp:color
|
gptkb:Color
|
|
gptkbp:composer
|
gptkb:Benjamin_Britten
|
|
gptkbp:conflict
|
internal conflict
|
|
gptkbp:contains
|
philosophical reflections
|
|
gptkbp:country
|
gptkb:Italy
|
|
gptkbp:critical_analysis
|
explores themes of mortality
|
|
gptkbp:critical_reception
|
acclaimed
mixed reviews
widely acclaimed
|
|
gptkbp:cultural_impact
|
inspired adaptations
influenced filmmakers
influenced other operas
explored themes of desire
reflected on the human condition
influenced psychoanalysis
inspired discussions on art and morality
examined the nature of beauty
|
|
gptkbp:cultural_references
|
references to Greek mythology
|
|
gptkbp:cultural_significance
|
explores taboo subjects
|
|
gptkbp:debut_year
|
gptkb:1973
|
|
gptkbp:depicts
|
the decline of civilization
|
|
gptkbp:director
|
gptkb:Luchino_Visconti
gptkb:Peter_Hall
|
|
gptkbp:distributor
|
gptkb:20th_Century_Fox
|
|
gptkbp:duration
|
approximately 2 hours
|
|
gptkbp:explores
|
the theme of mortality
the nature of desire
the conflict between art and life
|
|
gptkbp:features
|
a tragic ending
a young boy named Tadzio
|
|
gptkbp:film_adaptation_composer
|
gptkb:Gustav_Mahler
|
|
gptkbp:film_editing
|
Mario Serandrei
|
|
gptkbp:film_technique
|
narrative style
symbolism
long takes
visual composition
use of music
|
|
gptkbp:filming_location
|
gptkb:Venice,_Italy
|
|
gptkbp:follows
|
Aschenbach's journey
|
|
gptkbp:genre
|
gptkb:novel
gptkb:drama
gptkb:tragedy
romance
tragic opera
|
|
gptkbp:has_inspired
|
gptkb:various_adaptations
|
|
gptkbp:has_performed_at
|
a stage play
|
|
gptkbp:historical_context
|
reflects post-war Europe
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Death in Venice
|
|
gptkbp:influence
|
modern literature
modernist literature
|
|
gptkbp:influenced
|
gptkb:Harold_Pinter
gptkb:Michael_Cunningham
gptkb:David_Foster_Wallace
gptkb:Philip_Roth
gptkb:W._H._Auden
|
|
gptkbp:influenced_artists
|
inspired contemporary composers
considered a significant opera
|
|
gptkbp:influenced_by
|
gptkb:Symbolism
Aestheticism
|
|
gptkbp:influences
|
gptkb:Symbolism
gptkb:European_art_cinema
German literature
|
|
gptkbp:inspiration
|
gptkb:Greek_mythology
Aestheticism
|
|
gptkbp:inspired
|
gptkb:literary_analysis
gptkb:artworks
gptkb:theater_productions
|
|
gptkbp:is_a_novella_that
|
has had a lasting impact on literature.
|
|
gptkbp:is_a_work_that
|
challenges societal norms
|
|
gptkbp:is_analyzed_in
|
in literary criticism
|
|
gptkbp:is_associated_with
|
the concept of the dandy
|
|
gptkbp:is_characterized_by
|
its rich symbolism
|
|
gptkbp:is_considered
|
a classic of modern literature
|
|
gptkbp:is_critiqued_by
|
the bourgeois society
|
|
gptkbp:is_known_for
|
its lyrical prose
|
|
gptkbp:is_often_compared_to
|
other works of literature
|
|
gptkbp:is_often_seen_in
|
a meditation on desire
|
|
gptkbp:is_part_of
|
the German literary canon
|
|
gptkbp:is_referenced_in
|
gptkb:popular_culture
|
|
gptkbp:is_reflected_in
|
the pursuit of beauty
|
|
gptkbp:is_regarded_as
|
a reflection of Thomas Mann's own life
|
|
gptkbp:is_set_in
|
the summer
|
|
gptkbp:is_studied_in
|
in literature courses
|
|
gptkbp:language
|
gptkb:Italian
gptkb:German
English
|
|
gptkbp:legacy
|
influenced fashion
cult following
considered a classic
remains a staple in opera repertoire
analyzed in film studies
|
|
gptkbp:librettist
|
gptkb:Myfanwy_Piper
|
|
gptkbp:libretto
|
gptkb:Myfanwy_Piper
|
|
gptkbp:literary_movement
|
gptkb:Modernism
|
|
gptkbp:main_character
|
gptkb:Gustav_von_Aschenbach
|
|
gptkbp:motif
|
gptkb:disease
gptkb:art
gptkb:youth
youth and beauty
|
|
gptkbp:music_by
|
gptkb:Gustav_Mahler
|
|
gptkbp:music_style
|
two acts with intermission
|
|
gptkbp:musical_elements
|
rich orchestration
|
|
gptkbp:narrative
|
unrequited love
examines the human condition
artistic ambition
|
|
gptkbp:narrative_style
|
stream of consciousness
third-person
|
|
gptkbp:notable_aria
|
' The Sea' aria
|
|
gptkbp:notable_awards
|
gptkb:Grammy_Award_for_Best_Opera_Recording
|
|
gptkbp:notable_character
|
gptkb:the_old_man
gptkb:Tadzio
gptkb:Ludwig
the doctor
the gondolier
|
|
gptkbp:notable_conductors
|
gptkb:Steuart_Bedford
|
|
gptkbp:notable_production
|
gptkb:Royal_Opera_House
|
|
gptkbp:notable_quote
|
“ The beauty of the boy was a kind of madness.”
|
|
gptkbp:notable_scene
|
the final scene
the beach scene
Aschenbach's dream
|
|
gptkbp:number_of_acts
|
2
|
|
gptkbp:opera_adaptation_composer
|
gptkb:Benjamin_Britten
|
|
gptkbp:opera_adaptation_year
|
gptkb:1973
|
|
gptkbp:orchestration
|
orchestra and voices
|
|
gptkbp:performance
|
performed in major opera houses
|
|
gptkbp:performance_tradition
|
performed worldwide
|
|
gptkbp:premiere
|
gptkb:1973
|
|
gptkbp:premiere_date
|
gptkb:1973
|
|
gptkbp:premiere_location
|
gptkb:Aldeburgh,_England
|
|
gptkbp:production_company
|
gptkb:Rizzoli_Film
|
|
gptkbp:protagonist
|
gptkb:Writer
|
|
gptkbp:published
|
1912
|
|
gptkbp:published_by
|
gptkb:S._Fischer_Verlag
|
|
gptkbp:published_in
|
1912
|
|
gptkbp:recordings
|
multiple recordings available
|
|
gptkbp:release_date
|
September 1971
|
|
gptkbp:release_year
|
gptkb:1971
|
|
gptkbp:revival
|
revived in the 21st century
|
|
gptkbp:role
|
gptkb:Aschenbach
gptkb:Tadzio
The Hotel Manager
The Boatman
The Elderly Fop
|
|
gptkbp:runtime
|
130 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Luchino_Visconti
gptkb:Giuseppe_Patroni_Griffi
gptkb:Suso_Cecchi_D'_Amico
|
|
gptkbp:setting
|
gptkb:Venice
gptkb:Venice,_Italy
|
|
gptkbp:source
|
Death in Venice by Thomas Mann
|
|
gptkbp:starring
|
gptkb:Helmut_Berger
gptkb:Dirk_Bogarde
gptkb:Mark_Burns
|
|
gptkbp:style
|
gptkb:Modernist
|
|
gptkbp:symbolism
|
gptkb:the_city_of_Venice
gptkb:youth
gptkb:death
the sea
|
|
gptkbp:thematic_element
|
decay and decline
|
|
gptkbp:theme
|
gptkb:death
beauty
obsession
decay
|
|
gptkbp:themes
|
explores existential questions
|
|
gptkbp:translated_into
|
multiple languages
|
|
gptkbp:written_by
|
gptkb:Thomas_Mann
|
|
gptkbp:bfsParent
|
gptkb:Luchino_Visconti
gptkb:Thomas_Mann
gptkb:Concerto_for_Orchestra
|
|
gptkbp:bfsLayer
|
4
|