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gptkbp:instance_of
|
gptkb:Artist
gptkb:album
gptkb:play
|
|
gptkbp:adaptation
|
gptkb:theater_productions
|
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gptkbp:adaptations
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gptkb:film_adaptation
|
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gptkbp:adapted_into
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gptkb:film
|
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gptkbp:arrangements
|
various instruments
piano and voice
|
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gptkbp:audience
|
provokes strong emotions
stimulates discussions
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gptkbp:author
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gptkb:Ariel_Dorfman
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gptkbp:awards
|
multiple theater awards
|
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gptkbp:character_development
|
Dr. Miranda's role
Gerardo's moral conflict
Paulina's transformation
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gptkbp:composer
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gptkb:Franz_Schubert
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gptkbp:conflict
|
moral dilemmas
|
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gptkbp:critical_reception
|
acclaimed
widely acclaimed
|
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gptkbp:cultural_impact
|
exploration of memory
debates on justice
discussions on trauma
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gptkbp:dedicated_to
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a friend of Schubert
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gptkbp:explores
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gptkb:revenge
forgiveness
torture
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gptkbp:features
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a dialogue between Death and a maiden
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gptkbp:film_editing
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gptkb:Roman_Polanski
gptkb:1994
1994 film
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gptkbp:first_published
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1821
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gptkbp:form
|
gptkb:song
|
|
gptkbp:genre
|
gptkb:rock
gptkb:drama
gptkb:Lieder
|
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gptkbp:has_adaptation
|
stage productions
international performances
|
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gptkbp:has_awards
|
multiple theater awards
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gptkbp:has_influenced
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other works
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gptkbp:historical_context
|
human rights violations
Chilean dictatorship
post-dictatorship society
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|
https://www.w3.org/2000/01/rdf-schema#label
|
Death and the Maiden
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gptkbp:influenced
|
later composers
|
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gptkbp:influences
|
gptkb:Pinochet's_regime
gptkb:political_repression
human rights issues
|
|
gptkbp:inspiration
|
real-life events in Chile
|
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gptkbp:inspired_by
|
real events
|
|
gptkbp:is_a_staple_in
|
vocal training programs
|
|
gptkbp:is_a_subject_of
|
gptkb:academic_research
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gptkbp:is_analyzed_in
|
its emotional depth
its musical structure
|
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gptkbp:is_associated_with
|
the Romantic era
|
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gptkbp:is_celebrated_for
|
emotional expressiveness
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gptkbp:is_characterized_by
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lyrical beauty
|
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gptkbp:is_considered
|
a classic
a significant work in the Lieder repertoire
|
|
gptkbp:is_featured_in
|
films and television
|
|
gptkbp:is_known_for
|
poetic text
its haunting melody
dramatic contrasts
|
|
gptkbp:is_notable_for
|
its cultural significance
its emotional impact
its complex characters
its historical context
its critical acclaim
its psychological depth
its political commentary
its exploration of identity
its exploration of power dynamics
its suspenseful plot
its exploration of memory
its moral dilemmas
its feminist themes
its thought-provoking nature
its ethical questions
its exploration of guilt
its exploration of justice systems
its exploration of societal healing
its exploration of trauma recovery
its intense dialogue
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gptkbp:is_often_discussed_in
|
musicology studies
|
|
gptkbp:is_often_featured_in
|
music education curricula
|
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gptkbp:is_often_referenced_in
|
gptkb:literature_and_art
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gptkbp:is_often_seen_in
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a reflection on life and death
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gptkbp:is_often_used_in
|
duets
opera singers
|
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gptkbp:is_part_of
|
Schubert's legacy
Schubert's song repertoire
|
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gptkbp:is_popular_among
|
classical music enthusiasts
vocalists
|
|
gptkbp:is_popular_for
|
recital programs
|
|
gptkbp:is_recognized_for
|
its cultural impact
|
|
gptkbp:is_set_in
|
post-dictatorship Chile
a minor key
|
|
gptkbp:is_significant_for
|
Western classical music
|
|
gptkbp:is_translated
|
multiple languages
|
|
gptkbp:label
|
gptkb:Flying_Nun_Records
|
|
gptkbp:language
|
gptkb:Spanish
gptkb:German
|
|
gptkbp:length
|
40:00
|
|
gptkbp:literary_significance
|
addresses societal issues
explores complex emotions
contributes to Latin American literature
|
|
gptkbp:main_character
|
gptkb:Gerardo_Escobar
gptkb:Dr._Roberto_Miranda
gptkb:Paulina_Salas
|
|
gptkbp:narrative
|
non-linear storytelling
|
|
gptkbp:notable_characters
|
gptkb:Gerardo_Escobar
gptkb:Roberto_Miranda
gptkb:Paulina_Salas
|
|
gptkbp:notable_for
|
its themes of mortality
|
|
gptkbp:notable_production
|
gptkb:Royal_Court_Theatre
gptkb:Broadway
international tours
|
|
gptkbp:notable_quote
|
" I am not a monster, I am a victim."
" The truth is not always what we want it to be."
|
|
gptkbp:often_includes
|
music competitions
anthologies of art songs
|
|
gptkbp:part_of
|
Schubert's larger body of work
|
|
gptkbp:performance
|
performed worldwide
|
|
gptkbp:performed_by
|
many classical singers
|
|
gptkbp:performed_in
|
gptkb:theater
worldwide
music festivals
recitals and concerts
|
|
gptkbp:preceded_by
|
The Verlaines' album ' For the Love of Ashes'
|
|
gptkbp:premiere_date
|
gptkb:1990
|
|
gptkbp:premiered_on
|
gptkb:1990
|
|
gptkbp:published_by
|
gptkb:Theatre_Communications_Group
|
|
gptkbp:recorded_in
|
gptkb:Thomas_Hampson
gptkb:Diana_Damrau
gptkb:Renée_Fleming
|
|
gptkbp:release_year
|
gptkb:1987
|
|
gptkbp:setting
|
gptkb:Chile
post-dictatorship Chile
|
|
gptkbp:style
|
psychological drama
|
|
gptkbp:symbolism
|
gptkb:death
the past
the maiden
|
|
gptkbp:text
|
gptkb:Matthias_Claudius
|
|
gptkbp:thematic_element
|
forgiveness
power dynamics
truth and reconciliation
|
|
gptkbp:themes
|
gptkb:human_rights
gptkb:justice
gptkb:revenge
trauma
|
|
gptkbp:track
|
gptkb:The_End_of_the_World
gptkb:The_Last_Train
gptkb:The_Light
gptkb:The_Last_One
gptkb:Death_and_the_Maiden
gptkb:The_Way_of_the_World
The Girl on the Roof
The Day of the Dead
The Other Side of You
The Song of the Lonely
|
|
gptkbp:translated_into
|
English
|
|
gptkbp:written_by
|
gptkb:Ariel_Dorfman
|
|
gptkbp:year_composed
|
1817
|
|
gptkbp:bfsParent
|
gptkb:String_Quartet_No._14
gptkb:Egon_Schiele
gptkb:The_Mentalist
gptkb:The_Verlaines
|
|
gptkbp:bfsLayer
|
5
|