Death Comes for the Archbishop
GPTKB entity
Statements (44)
Predicate | Object |
---|---|
gptkbp:instance_of |
gptkb:novel
|
gptkbp:adaptation |
gptkb:theatre
gptkb:radio_station gptkb:book gptkb:film |
gptkbp:author |
gptkb:Willa_Cather
|
gptkbp:character_development |
Father Latour's journey
Father Vaillant's friendship |
gptkbp:conflict |
cultural vs. colonial
religious vs. secular |
gptkbp:critical_reception |
positive
|
gptkbp:cultural_impact |
explored themes of identity
inspired discussions on faith examined the relationship between church and state highlighted the importance of community reflected on the role of religion in society |
gptkbp:cultural_significance |
depicts early 20th-century Catholicism in America
|
gptkbp:genre |
gptkb:church
|
https://www.w3.org/2000/01/rdf-schema#label |
Death Comes for the Archbishop
|
gptkbp:influenced |
American literature
|
gptkbp:influences |
gptkb:church
gptkb:Film_Director later writers theater directors |
gptkbp:inspiration |
Cather's experiences in the Southwest
|
gptkbp:language |
English
|
gptkbp:literary_devices |
flashbacks
imagery foreshadowing |
gptkbp:main_character |
gptkb:Father_Jean_Marie_Latour
gptkb:Father_Joseph_Vaillant |
gptkbp:narrative_style |
third-person
|
gptkbp:notable_quote |
" He was a man of the world."
" The land is a living thing." |
gptkbp:published_by |
gptkb:1927
|
gptkbp:publisher |
Knopf
|
gptkbp:setting |
gptkb:New_Mexico
|
gptkbp:stations |
awarded the 1928 Pulitzer Prize for Fiction
|
gptkbp:symbolism |
the archbishop's mission
the landscape of New Mexico |
gptkbp:themes |
gptkb:military_conflict
faith |
gptkbp:bfsParent |
gptkb:Willa_Cather
|
gptkbp:bfsLayer |
3
|