|
gptkbp:instanceOf
|
video game
|
|
gptkbp:awards
|
gptkb:BAFTA_Games_Award_for_Best_Debut_Game
gptkb:BAFTA_Games_Award_for_Best_Game
Game_Developers_Choice_Award_for_Best_Debut
|
|
gptkbp:character
|
The Stranger
Esther
The Father
The Narrator
|
|
gptkbp:community
|
cult following
|
|
gptkbp:critical_reception
|
positive
|
|
gptkbp:design
|
non-linear_storytelling
|
|
gptkbp:developer
|
gptkb:The_Chinese_Room
|
|
gptkbp:game_mechanics
|
exploration-based
|
|
gptkbp:gameFeatures
|
collectibles
Source Engine
|
|
gptkbp:gameplay
|
walking simulator
|
|
gptkbp:genre
|
adventure
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Dear Esther
|
|
gptkbp:influenced
|
gptkb:What_Remains_of_Edith_Finch
Firewatch
Gone Home
walking simulators
|
|
gptkbp:influences
|
interactive fiction
art games
|
|
gptkbp:inspiration
|
gptkb:The_Tempest
The Wreck of the Hesperus
real-life locations
|
|
gptkbp:is_available_in
|
Linux
Mac OS
PC
|
|
gptkbp:length
|
approximately 1-2 hours
|
|
gptkbp:mode
|
single-player
|
|
gptkbp:multiplayer
|
No
|
|
gptkbp:narrativeStyle
|
first-person
exploration
poetic
|
|
gptkbp:notable_winners
|
recognized for atmosphere
recognized for narrative
recognized for sound design
|
|
gptkbp:officialLanguage
|
multiple languages
|
|
gptkbp:platforms
|
gptkb:Microsoft_Windows
gptkb:Xbox_One
gptkb:PlayStation_4
|
|
gptkbp:publisher
|
Steam
|
|
gptkbp:relatedEvent
|
flashbacks
environmental storytelling
audio logs
|
|
gptkbp:released
|
2012
|
|
gptkbp:releaseFormat
|
digital download
|
|
gptkbp:releaseYear
|
February 14, 2012
|
|
gptkbp:remake
|
2016
|
|
gptkbp:reviews
|
generally positive
|
|
gptkbp:sequel
|
Everybody's Gone to the Rapture
|
|
gptkbp:setting
|
gptkb:Hebrides
|
|
gptkbp:soundtrack
|
gptkb:Jessica_Curry
|
|
gptkbp:style
|
minimalist
|
|
gptkbp:theme
|
isolation
grief
loss
memory
|
|
gptkbp:viewpoint
|
first-person perspective
|
|
gptkbp:voiceActor
|
Yes, includes voice narration
|