|
gptkbp:instance_of
|
gptkb:comic_book
|
|
gptkbp:artist
|
gptkb:Ed_Mc_Guinness
gptkb:Tony_Moore
|
|
gptkbp:character_appearance
|
gptkb:Agent_Phil_Coulson
gptkb:Taskmaster
gptkb:Captain_America
gptkb:comic_book
gptkb:superhero
gptkb:Black_Widow
Deadpool's girlfriend
|
|
gptkbp:collects
|
Deadpool #1-12
|
|
gptkbp:colorist
|
gptkb:Val_Staples
|
|
gptkbp:cover_art
|
gptkb:Tony_Moore
|
|
gptkbp:critical_reception
|
positive
|
|
gptkbp:editor
|
gptkb:Jordan_D._White
|
|
gptkbp:format
|
single issue
|
|
gptkbp:genre
|
gptkb:superhero
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Deadpool #11
|
|
gptkbp:isbn
|
978-0785165563
|
|
gptkbp:language
|
English
|
|
gptkbp:main_character
|
gptkb:superhero
|
|
gptkbp:notable_event
|
Deadpool's action sequences
Deadpool's character development
Deadpool's enemies
Deadpool's fourth wall breaking
Deadpool's humor
Deadpool's humor style
Deadpool's pop culture references
Deadpool's relationships
Deadpool's self-awareness
Deadpool's unique narrative style
Deadpool's interactions with other heroes
Deadpool's missions
Deadpool's moral ambiguity
Deadpool's origin references
Deadpool's use of humor in serious situations
|
|
gptkbp:notable_story_arc
|
gptkb:Deadpool:_The_Good,_The_Bad,_and_The_Ugly
|
|
gptkbp:page_count
|
gptkb:32
|
|
gptkbp:part_of
|
gptkb:Deadpool_series
gptkb:Deadpool_Series
|
|
gptkbp:preceded_by
|
gptkb:Deadpool_#10
|
|
gptkbp:published_by
|
gptkb:comic_book
|
|
gptkbp:release_date
|
gptkb:1998
2013-01-01
1997-11-01
|
|
gptkbp:setting
|
gptkb:comic_book
|
|
gptkbp:succeeded_by
|
gptkb:Deadpool_#12
|
|
gptkbp:theme
|
gptkb:musical
gptkb:comic_book
violence
|
|
gptkbp:writer
|
gptkb:Joe_Kelly
gptkb:Brian_Posehn
|
|
gptkbp:bfsParent
|
gptkb:Kidpool
|
|
gptkbp:bfsLayer
|
5
|