|
gptkbp:instance_of
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gptkb:Writer
|
|
gptkbp:aims_to
|
visual harmony
|
|
gptkbp:associated_with
|
gptkb:De_Stijl_movement
|
|
gptkbp:characterized_by
|
primary colors
geometric forms
|
|
gptkbp:developed_by
|
gptkb:Netherlands
|
|
gptkbp:emphasizes
|
horizontal and vertical lines
|
|
gptkbp:exemplified_by
|
the work of Gerrit Rietveld
|
|
gptkbp:exhibited_at
|
various art galleries
design exhibitions
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
De Stijl typography
|
|
gptkbp:includes
|
sans-serif typefaces
|
|
gptkbp:influenced_by
|
gptkb:Piet_Mondrian
|
|
gptkbp:inspired
|
modernist design
|
|
gptkbp:is_applied_in
|
gptkb:architecture
|
|
gptkbp:is_associated_with
|
minimalism
the concept of 'universal beauty'
|
|
gptkbp:is_characterized_by
|
asymmetry
|
|
gptkbp:is_compared_to
|
ornamental typography
|
|
gptkbp:is_considered_as
|
a design movement
|
|
gptkbp:is_documented_in
|
design history books
|
|
gptkbp:is_influenced_by
|
gptkb:Dutch_Rationalism
gptkb:Cubism
|
|
gptkbp:is_influential_in
|
graphic arts
|
|
gptkbp:is_linked_to
|
gptkb:the_Bauhaus_school
|
|
gptkbp:is_noted_for
|
its clarity
|
|
gptkbp:is_part_of
|
modern art
visual culture
|
|
gptkbp:is_popular_in
|
the early 20th century
|
|
gptkbp:is_promoted_by
|
gptkb:Theo_van_Doesburg
|
|
gptkbp:is_recognized_by
|
its use of rectangles
|
|
gptkbp:is_recognized_for
|
its simplicity
|
|
gptkbp:is_related_to
|
functionalism
|
|
gptkbp:is_studied_in
|
art history courses
|
|
gptkbp:is_taught_in
|
design schools
|
|
gptkbp:is_used_by
|
graphic designers
|
|
gptkbp:is_used_in
|
gptkb:posters
|
|
gptkbp:reflects
|
philosophical ideas of harmony
|
|
gptkbp:revived_in
|
the late 20th century
|
|
gptkbp:supports
|
abstract art
|
|
gptkbp:transcends
|
cultural boundaries
|
|
gptkbp:used_in
|
gptkb:graphic_design
|
|
gptkbp:utilizes
|
grid systems
|
|
gptkbp:bfsParent
|
gptkb:De_Stijl
|
|
gptkbp:bfsLayer
|
5
|