|
gptkbp:instance_of
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gptkb:film
|
|
gptkbp:award
|
gptkb:Academy_Award_for_Best_Cinematography
|
|
gptkbp:awards
|
gptkb:Academy_Award_for_Best_Cinematography
gptkb:BAFTA_Award_for_Best_Cinematography
|
|
gptkbp:box_office
|
$3.5 million
3.5 million USD
|
|
gptkbp:budget
|
1.5 million USD
|
|
gptkbp:character
|
gptkb:The_Narrator
gptkb:The_Farmer
gptkb:Abby
gptkb:Linda
gptkb:Bill
|
|
gptkbp:character_voice
|
gptkb:Linda_Manz
|
|
gptkbp:cinematography_by
|
gptkb:Néstor_Almendros
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:critical_reception
|
Highly acclaimed
highly acclaimed
|
|
gptkbp:cultural_impact
|
Considered a classic
cult classic status
influential in cinema
|
|
gptkbp:cultural_significance
|
considered a classic
American cinema history
|
|
gptkbp:directed_by
|
gptkb:Terrence_Malick
|
|
gptkbp:director
|
gptkb:Andrei_Tarkovsky
gptkb:Wong_Kar-wai
Terrence Malick's contemporaries
|
|
gptkbp:edited_by
|
gptkb:Billy_Weber
|
|
gptkbp:editing
|
non-linear
|
|
gptkbp:film_awards
|
gptkb:Best_Cinematography
gptkb:Best_Director
|
|
gptkbp:film_editing
|
gptkb:Billy_Weber
|
|
gptkbp:film_festival
|
gptkb:Cannes_Film_Festival
|
|
gptkbp:film_technique
|
gptkb:Badlands
gptkb:The_Tree_of_Life
gptkb:The_Thin_Red_Line
gptkb:The_New_World
natural lighting
long takes
slow motion
minimal dialogue
|
|
gptkbp:filming_location
|
gptkb:Texas
Texas Panhandle
|
|
gptkbp:genre
|
gptkb:drama
gptkb:historical_fiction
romance
|
|
gptkbp:home_media_release
|
gptkb:DVD
gptkb:Blu-ray
gptkb:4_K_UHD
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Days of Heaven
|
|
gptkbp:influenced
|
gptkb:filmmakers
|
|
gptkbp:influenced_by
|
gptkb:Italian_Neorealism
gptkb:American_Impressionism
gptkb:French_New_Wave
American pastoral literature
|
|
gptkbp:inspiration
|
Malick's own experiences
|
|
gptkbp:inspired_by
|
Malick's own experiences
|
|
gptkbp:language
|
English
|
|
gptkbp:music_by
|
gptkb:Ennio_Morricone
|
|
gptkbp:narrative_style
|
voice-over narration
|
|
gptkbp:notable_for
|
Cinematography
Visual storytelling
visual storytelling
Natural lighting
use of natural light
|
|
gptkbp:notable_quote
|
" The world is a beautiful place."
" You can't go back."
|
|
gptkbp:notable_scene
|
the train scene
the sunset scene
the wheat field scene
the harvest scene
|
|
gptkbp:plot
|
A love triangle set in the Texas Panhandle during the early 1900s.
A love triangle set against the backdrop of the Texas Panhandle.
|
|
gptkbp:premiere
|
gptkb:Cannes_Film_Festival
|
|
gptkbp:production_company
|
gptkb:Paramount_Pictures
|
|
gptkbp:release_date
|
October 19, 1978
|
|
gptkbp:release_format
|
Theatrical
|
|
gptkbp:released
|
gptkb:1978
|
|
gptkbp:released_in
|
gptkb:1978
|
|
gptkbp:remastered
|
gptkb:Yes
4 K restoration
|
|
gptkbp:restoration
|
gptkb:Criterion_Collection
restored in 2018
|
|
gptkbp:runtime
|
94 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Terrence_Malick
|
|
gptkbp:set_in
|
gptkb:Texas
early 20th century
|
|
gptkbp:soundtrack
|
gptkb:Ennio_Morricone's_score
|
|
gptkbp:starring
|
gptkb:Sam_Shepard
gptkb:Linda_Manz
gptkb:Brooke_Adams
gptkb:Richard_Gere
|
|
gptkbp:themes
|
gptkb:betrayal
love
nature
class struggle
love and betrayal
Class struggle
Love and betrayal
the American Dream
Nature vs. humanity
|
|
gptkbp:bfsParent
|
gptkb:Terrence_Malick
gptkb:Ennio_Morricone
|
|
gptkbp:bfsLayer
|
4
|