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gptkbp:instance_of
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gptkb:album
|
|
gptkbp:artist
|
gptkb:The_Moody_Blues
|
|
gptkbp:certification
|
Gold by RIAA
|
|
gptkbp:chart_position
|
#27 on Billboard 200
|
|
gptkbp:cover_art
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Artwork by Phil Travers
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|
gptkbp:cultural_impact
|
Considered a classic
|
|
gptkbp:cultural_significance
|
Influential in the 1960s music scene
|
|
gptkbp:debut_album
|
The Day Begins
|
|
gptkbp:fan_base
|
Cult following
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|
gptkbp:featured_in
|
Various documentaries
|
|
gptkbp:genre
|
Progressive rock
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|
https://www.w3.org/2000/01/rdf-schema#label
|
Days of Future Passed
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|
gptkbp:influenced
|
Symphonic rock
Film scores
Progressive music
Modern rock bands
|
|
gptkbp:influenced_artists
|
gptkb:Genesis
gptkb:Electric_Light_Orchestra
gptkb:Yes
|
|
gptkbp:label
|
gptkb:Deram_Records
|
|
gptkbp:legacy
|
Pioneered orchestral rock
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|
gptkbp:length
|
42:00
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|
gptkbp:live_performance
|
Performed by The Moody Blues
|
|
gptkbp:lyricist
|
gptkb:Justin_Hayward
|
|
gptkbp:musical_elements
|
Orchestral arrangements
|
|
gptkbp:next_album
|
gptkb:Nights_in_White_Satin
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|
gptkbp:notable_awards
|
gptkb:N/_A
|
|
gptkbp:notable_cover
|
Covered by various artists
|
|
gptkbp:notable_track
|
gptkb:Nights_in_White_Satin
Tuesday Afternoon
|
|
gptkbp:performers
|
gptkb:John_Lodge
gptkb:Mike_Pinder
gptkb:Ray_Thomas
gptkb:Graham_Edge
|
|
gptkbp:previous_album
|
gptkb:In_Search_of_the_Lost_Chord
|
|
gptkbp:producer
|
gptkb:Tony_Clarke
|
|
gptkbp:record_label
|
gptkb:Deram_Records
|
|
gptkbp:recording_location
|
gptkb:Decca_Studios,_London
|
|
gptkbp:recording_year
|
gptkb:1967
|
|
gptkbp:release_date
|
1967-11-10
|
|
gptkbp:release_format
|
gptkb:Vinyl
|
|
gptkbp:remastered
|
gptkb:Yes
|
|
gptkbp:remix
|
Various remixes available
|
|
gptkbp:revival
|
2008-09-29
|
|
gptkbp:style
|
Concept album
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|
gptkbp:theme
|
gptkb:Time
|
|
gptkbp:track_count
|
gptkb:7
|
|
gptkbp:bfsParent
|
gptkb:John_Lodge
gptkb:The_Moody_Blues
gptkb:Moody_Blues
|
|
gptkbp:bfsLayer
|
5
|