Statements (51)
Predicate | Object |
---|---|
gptkbp:instance_of |
gptkb:fictional_character
|
gptkbp:adaptation |
Film adaptation of Disgrace
Stage adaptation of Disgrace |
gptkbp:appears_in |
Disgrace
|
gptkbp:conflict |
Moral dilemmas
Societal change |
gptkbp:consequences |
gptkb:Exile
Strained relationships Loss of career |
gptkbp:created_by |
gptkb:J._M._Coetzee
|
gptkbp:criticism |
Controversial character
Morally ambiguous Complexity of character |
gptkbp:development |
Character arc
|
gptkbp:gender |
gptkb:Male
|
https://www.w3.org/2000/01/rdf-schema#label |
David Lurie
|
gptkbp:influence |
Literary criticism
South African literature Postcolonial literature |
gptkbp:is_motivated_by |
Desire for connection
|
gptkbp:issues |
Arrogance
Sexual misconduct |
gptkbp:legacy |
Impact on literary studies
Cultural discussions in South Africa Influence on discussions of ethics |
gptkbp:nationality |
gptkb:South_African
|
gptkbp:notable_work |
Disgrace
|
gptkbp:occupation |
gptkb:Professor
|
gptkbp:portrayed_by |
gptkb:John_Malkovich
Other actors in adaptations |
gptkbp:relationship |
gptkb:Daughter
gptkb:Melanie_Isaacs Various students Bev Shaw His daughter Lucy |
gptkbp:setting |
gptkb:University_of_Cape_Town
|
gptkbp:symbolizes |
Cultural dislocation
Crisis of masculinity White privilege |
gptkbp:theme |
gptkb:cultural_identity
gptkb:Redemption gptkb:Redemption_arc Power dynamics Post-apartheid South Africa Consequences of actions Guilt and responsibility Personal vs. societal conflict |
gptkbp:viewpoint |
First-person narrative
|
gptkbp:bfsParent |
gptkb:The_Exile
gptkb:Professor_Tainot |
gptkbp:bfsLayer |
5
|