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gptkbp:instance_of
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gptkb:film
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|
gptkbp:bfsLayer
|
5
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|
gptkbp:bfsParent
|
gptkb:Women_Make_Movies
gptkb:Julie_Dash
|
|
gptkbp:art_style
|
vibrant cinematography
|
|
gptkbp:awards
|
gptkb:Independent_Spirit_Award
|
|
gptkbp:box_office
|
$1.5 million
|
|
gptkbp:cast
|
gptkb:Barbara-O
gptkb:Cheryl_Lynn_Bruce
gptkb:Cora_Lee_Day
Alva Rogers
Trula Hoosier
|
|
gptkbp:cinematography
|
gptkb:Arthur_Jafa
|
|
gptkbp:color
|
rich colors
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|
gptkbp:critical_reception
|
cult classic
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|
gptkbp:cultural_impact
|
increased visibility for Black women filmmakers
|
|
gptkbp:cultural_significance
|
explores African American women's experiences
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|
gptkbp:director
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gptkb:Julie_Dash
|
|
gptkbp:distributor
|
First Run Features
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|
gptkbp:editor
|
Daphne L. L. D.
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|
gptkbp:genre
|
gptkb:High_School
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Daughters of the Dust
|
|
gptkbp:impact
|
inspired future filmmakers
|
|
gptkbp:influenced
|
gptkb:Afrofuturism
cultural studies
documentary filmmaking
Black cinema
narrative cinema
feminist film theory
artistic expression in film
Gullah heritage preservation
|
|
gptkbp:inspiration
|
Gullah culture
African American folklore
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|
gptkbp:language
|
English
|
|
gptkbp:legacy
|
pioneering work in representation
|
|
gptkbp:music
|
gptkb:John_Williams
|
|
gptkbp:narrative_style
|
non-linear storytelling
|
|
gptkbp:notable_for
|
being the first feature film directed by an African American woman to receive a wide release
|
|
gptkbp:premiere
|
gptkb:film_festival
|
|
gptkbp:production_company
|
gptkb:Kush_Films
|
|
gptkbp:release_year
|
gptkb:1991
|
|
gptkbp:restoration
|
gptkb:Criterion_Collection
|
|
gptkbp:runtime
|
112 minutes
|
|
gptkbp:screenings
|
widely studied in academia
|
|
gptkbp:screenplay_by
|
gptkb:Julie_Dash
|
|
gptkbp:setting
|
Gullah community
|
|
gptkbp:symbolism
|
gptkb:item
roots
family ties
|
|
gptkbp:themes
|
gptkb:archaeological_site
gptkb:family
gptkb:organization
|