gptkbp:instanceOf
|
play
|
gptkbp:adaptation
|
film
theater
|
gptkbp:characterDevelopment
|
gptkb:Georges_Danton
gptkb:Maximilien_Robespierre
gptkb:Lucile_Desmoulins
|
gptkbp:criticalReception
|
mixed reviews
academic interest
|
gptkbp:culturalImpact
|
political discourse
artistic expression
historical analysis
French_literature
theater_in_Germany
|
gptkbp:genre
|
tragedy
|
gptkbp:hasPerformance
|
1902
|
gptkbp:historicalFigures
|
gptkb:Georges_Danton
gptkb:Maximilien_Robespierre
gptkb:Marie_Antoinette
gptkb:Louis_XVI
gptkb:Camille_Desmoulins
|
https://www.w3.org/2000/01/rdf-schema#label
|
Danton's Death
|
gptkbp:influenced
|
modern drama
|
gptkbp:influencedBy
|
historical events
|
gptkbp:influences
|
gptkb:Peter_Weiss
gptkb:Bertolt_Brecht
gptkb:Jean-Paul_Sartre
gptkb:Antonin_Artaud
Tadeusz Kantor
|
gptkbp:language
|
German
|
gptkbp:mainCharacter
|
gptkb:Georges_Danton
|
gptkbp:notableFeature
|
adapted into films
performed internationally
adapted into operas
revived frequently
|
gptkbp:notableQuote
|
"Revolution is the festival of the oppressed."
|
gptkbp:publishedIn
|
1835
|
gptkbp:setIn
|
gptkb:French_Revolution
|
gptkbp:style
|
historical drama
expressionism
naturalism
tragedy
political theater
|
gptkbp:theme
|
betrayal
political power
revolution
|
gptkbp:wrote
|
gptkb:Georg_Büchner
|