Statements (46)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
art movement
|
| gptkbp:artwork |
use of natural materials
focus on texture often large-scale often site-specific explore color theory invite viewer contemplation |
| gptkbp:associatedWith |
artistic collaboration
artistic experimentation post-war art movements cultural_exchange Korean_modernism |
| gptkbp:characterizedBy |
monochrome painting
|
| gptkbp:criticism |
often describe as meditative
|
| gptkbp:culturalSignificance |
engages with global art discourse
responds to historical context reflects_Korean_identity |
| gptkbp:developedBy |
1960s
|
| gptkbp:emphasizes |
process over product
|
| gptkbp:exemplifies |
contemporary_Korean_art
|
| gptkbp:exhibits |
art fairs
international galleries Korean_Pavilion_at_Venice_Biennale |
| gptkbp:historical_analysis |
examined in academic journals
analyzed in contemporary art studies discussed in exhibitions catalogues featured in art criticism growing in art history |
| https://www.w3.org/2000/01/rdf-schema#label |
Dansaekhwa
|
| gptkbp:influenced |
younger generations of artists
|
| gptkbp:influencedBy |
Zen Buddhism
|
| gptkbp:notableArtists |
gptkb:Lee_Ufan
gptkb:Kwon_Young-woo gptkb:Jung_Sang-hwa gptkb:Park_Seo-bo gptkb:Kim_Whanki |
| gptkbp:notableFeature |
time
repetition emptiness 'The_Art_of_Dansaekhwa' |
| gptkbp:origin |
gptkb:South_Korea
|
| gptkbp:relatedTo |
Conceptual art
Minimalism |
| gptkbp:technique |
layering paint
pouring paint staining canvas |