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gptkbp:instance_of
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gptkb:novel
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gptkbp:adaptation
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gptkb:ballet
gptkb:television_series
gptkb:radio_station
gptkb:graphic_novel
gptkb:opera
gptkb:theater
gptkb:miniseries
gptkb:television
gptkb:film
gptkb:stage_play
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gptkbp:adaptation_year
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gptkb:2002
gptkb:2015
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gptkbp:author
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gptkb:George_Eliot
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gptkbp:cast
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gptkb:Martin_Shaw
gptkb:Rebecca_Hall
gptkb:Tom_Hooper
gptkb:Anna_Chancellor
gptkb:Hugh_Dancy
gptkb:Jodhi_May
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gptkbp:character
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gptkb:Henleigh_Grandcourt
gptkb:Mrs._Grandcourt
gptkb:Sir_Hugo_Mallinger
gptkb:Mirah_Lapidoth
gptkb:Dora
Mr. Lush
Mr. Mallinger
Mr. and Mrs. Harleth
Dr. Vandernoodt
Mrs. Mallinger
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gptkbp:character_development
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gptkb:complex
Complex characters
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gptkbp:conflict
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internal conflict
societal conflict
Personal vs. societal expectations
Love vs. duty
Cultural identity vs. assimilation
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gptkbp:critical_reception
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Well-received
mixed reviews
widely acclaimed
considered a significant work
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|
gptkbp:cultural_impact
|
influenced feminist literature
Critique of Victorian society
Exploration of gender roles
influenced literature
referenced in popular culture
influenced film
analyzed for its themes
inspired academic research
influenced television
discussed in literary studies
Discussion of Jewish identity
influenced Jewish studies
influenced Victorian studies
influenced identity studies
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|
gptkbp:eliot's_last_novel
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gptkb:true
|
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gptkbp:genre
|
Literary fiction
literary fiction
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https://www.w3.org/2000/01/rdf-schema#label
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Daniel Deronda
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gptkbp:influence
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gptkb:Zionism
|
|
gptkbp:influenced
|
gptkb:Jewish_community
modern literature
|
|
gptkbp:influenced_artists
|
Character-driven narrative
Exploration of Jewish themes
Influential work
|
|
gptkbp:influenced_by
|
gptkb:Realism
gptkb:Romanticism
gptkb:philosophy
|
|
gptkbp:influences
|
gptkb:Realism
gptkb:Romanticism
|
|
gptkbp:inspiration
|
Eliot's interest in Jewish culture
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|
gptkbp:inspired_by
|
gptkb:Social_issues
gptkb:Jewish_community
Philosophical ideas
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gptkbp:isbn
|
978-0141439518
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gptkbp:language
|
English
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gptkbp:main_character
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gptkb:Daniel_Deronda
gptkb:Gwendolen_Harleth
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|
gptkbp:narrative_focus
|
gptkb:cultural_heritage
personal growth
moral dilemmas
|
|
gptkbp:narrative_style
|
third-person
third-person omniscient
Third-person narration
|
|
gptkbp:notable_character
|
gptkb:Henrietta_Cadell
gptkb:Sir_Hugo_Mallinger
gptkb:Grandcourt
gptkb:Henrietta_Cadwallader
gptkb:Mordecai
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gptkbp:notable_quote
|
" The greatest good is to be true to oneself."
" The world is not a mere stage for the play of our passions."
" We are all of us more or less the creatures of circumstance."
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|
gptkbp:page_count
|
800
approximately 800
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|
gptkbp:plot
|
intertwined stories
|
|
gptkbp:plot_point
|
The theme of self-discovery
Daniel's relationship with Mirah
Daniel's search for his heritage
Gwendolen's marriage to Grandcourt
Gwendolen's moral dilemmas
Gwendolen's transformation
Mirah's family history
The exploration of Jewish identity
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|
gptkbp:published
|
1876
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gptkbp:published_by
|
gptkb:Blackwood's_Magazine
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|
gptkbp:published_in
|
1876
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|
gptkbp:publisher
|
gptkb:William_Blackwood_and_Sons
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|
gptkbp:setting
|
gptkb:Victorian_England
|
|
gptkbp:style
|
gptkb:Symbolism
Psychological depth
psychological realism
Descriptive prose
|
|
gptkbp:symbolism
|
gptkb:marriage
gptkb:river
gptkb:Jewish_identity
|
|
gptkbp:theme
|
gptkb:social_class
gptkb:Jewish_community
gptkb:Jewish_identity
gptkb:identity
|
|
gptkbp:bfsParent
|
gptkb:Mary_Anne_Evans
gptkb:Middlemarch
gptkb:George_Eliot
gptkb:The_Works_of_George_Eliot
gptkb:Gwendolen_Webb
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gptkbp:bfsLayer
|
5
|