|
gptkbp:instance_of
|
gptkb:novel
gptkb:play
gptkb:film
|
|
gptkbp:bfsLayer
|
3
|
|
gptkbp:bfsParent
|
gptkb:Stephen_Frears
|
|
gptkbp:adaptation
|
gptkb:musical
gptkb:television_series
gptkb:opera
gptkb:play
gptkb:film
gptkb:film_series
|
|
gptkbp:adapted_into
|
gptkb:musical
gptkb:television_series
gptkb:opera
gptkb:novel
gptkb:film
|
|
gptkbp:author
|
gptkb:Pierre_Choderlos_de_Laclos
|
|
gptkbp:awards
|
gptkb:Tony_Award_for_Best_Play
gptkb:Best_Film
gptkb:Best_Production_Design
Best Adapted Screenplay
Best Costume Design
|
|
gptkbp:based_on
|
gptkb:Les_Liaisons_dangereuses
gptkb:Les_Liaisons_Dangereuses
|
|
gptkbp:box_office
|
$34 million
|
|
gptkbp:character_relationships
|
Merteuil and Cécile
Merteuil and Danceny
Merteuil and Valmont
Valmont and Cécile
Valmont and Danceny
|
|
gptkbp:cinematography
|
gptkb:Philippe_Rousselot
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:critical_reception
|
controversial
|
|
gptkbp:cultural_impact
|
gptkb:organization
inspired adaptations
influenced other works
|
|
gptkbp:director
|
gptkb:Stephen_Frears
|
|
gptkbp:distributor
|
gptkb:Columbia_Pictures
|
|
gptkbp:editor
|
gptkb:Thelma_Schoonmaker
|
|
gptkbp:filmography
|
gptkb:Dangerous_Liaisons_(1988_film)
Cruel Intentions (1999 film)
Valmont (1989 film)
|
|
gptkbp:genre
|
gptkb:Romance
gptkb:High_School
epistolary novel
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Dangerous Liaisons
|
|
gptkbp:influence
|
gptkb:literary_work
gptkb:film
|
|
gptkbp:influenced
|
gptkb:theatre
gptkb:The_Great_Gatsby
gptkb:Dangerous_Liaisons_(2012_film)
gptkb:Les_Liaisons_Dangereuses_(2003_film)
gptkb:The_Age_of_Innocence
gptkb:literary_work
gptkb:The_Count_of_Monte_Cristo
gptkb:film
modern drama
|
|
gptkbp:influenced_by
|
gptkb:philosopher
18th-century French literature
|
|
gptkbp:inspired
|
gptkb:The_Other_Boleyn_Girl
gptkb:The_Affair_of_the_Necklace
gptkb:The_Lion_in_Winter
|
|
gptkbp:inspired_by
|
gptkb:historical_event
|
|
gptkbp:language
|
gptkb:French
English
|
|
gptkbp:music
|
gptkb:George_Fenton
|
|
gptkbp:narrative_style
|
epistolary
|
|
gptkbp:notable_character
|
gptkb:Danceny
gptkb:Merteuil
gptkb:Cécile_de_Volanges
gptkb:Valmont
|
|
gptkbp:notable_production
|
gptkb:musical
gptkb:West_End
|
|
gptkbp:notable_quote
|
“ We are all in the gutter, but some of us are looking at the stars.”
“ The heart has its reasons which reason knows not.”
“ The only way to get rid of temptation is to yield to it.”
“ I am not a monster, I am a man.”
“ Love is a game that people play.”
|
|
gptkbp:official_language
|
gptkb:French
|
|
gptkbp:page_count
|
approximately 300
|
|
gptkbp:performed_by
|
gptkb:Royal_Court_Theatre
|
|
gptkbp:premiered_on
|
gptkb:1985
|
|
gptkbp:published_by
|
gptkb:1985
1782
Plume
|
|
gptkbp:rating
|
92%
|
|
gptkbp:release_date
|
gptkb:1988
|
|
gptkbp:screenplay_by
|
gptkb:Christopher_Hampton
|
|
gptkbp:set_in
|
gptkb:Monarch
|
|
gptkbp:setting
|
gptkb:Monarch
gptkb:Paris
|
|
gptkbp:starring
|
gptkb:Keanu_Reeves
gptkb:John_Malkovich
gptkb:Glenn_Close
gptkb:Michelle_Pfeiffer
|
|
gptkbp:style
|
tragic
satirical
|
|
gptkbp:theme
|
gptkb:betrayal
manipulation
seduction
|
|
gptkbp:themes
|
gptkb:betrayal
gptkb:moral_ambiguity
gptkb:revenge
gptkb:military_operation
love
class struggle
manipulation
social status
power dynamics
seduction
social manipulation
|
|
gptkbp:written_by
|
gptkb:Christopher_Hampton
|