Statements (68)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:art_exhibition
|
| gptkbp:associated_with |
gptkb:Dadaism
|
| gptkbp:audience |
General public
Art critics |
| gptkbp:characterized_by |
Anti-art movement
|
| gptkbp:curated_by |
gptkb:Tristan_Tzara
|
| gptkbp:exhibited_at |
Collages
Ready-mades Photomontages |
| gptkbp:featured_in |
gptkb:painting
gptkb:performance_art gptkb:sculpture |
| gptkbp:historical_context |
Interwar period
Political instability Cultural upheaval |
| https://www.w3.org/2000/01/rdf-schema#label |
Dada exhibition 1920
|
| gptkbp:impact |
Contemporary art
|
| gptkbp:influenced_by |
gptkb:World_War_I
|
| gptkbp:legacy |
Influence on Surrealism
Influence on Conceptual art Influence on Postmodern art |
| gptkbp:location |
gptkb:Berlin
|
| gptkbp:notable_artists |
gptkb:Hannah_Höch
gptkb:Raoul_Hausmann gptkb:John_Heartfield gptkb:George_Grosz |
| gptkbp:notable_themes |
gptkb:parody
gptkb:Mixed_media Social commentary Irony Playfulness Critique of capitalism Public engagement Absurdity Emphasis on spontaneity Nihilism Cultural critique Revolutionary spirit Art as a form of protest Exploration of identity Surreal imagery Rejection of traditional aesthetics Subversion of norms Critique of war Emphasis on individuality Collage techniques Exploration of the absurd Critique of traditional values Exploration of the grotesque Exploration of the unconscious Anti-bourgeois sentiment Experimental approaches Subversion of expectations Exploration of the irrational Performance art elements Challenge to authority Cynicism towards society Emphasis on freedom of expression Emphasis on spontaneity and chance. Exploration of chaos Rejection of convention Transgression of boundaries Use of chance |
| gptkbp:part_of |
gptkb:Dada_movement
|
| gptkbp:takes_place_in |
gptkb:1920
|
| gptkbp:bfsParent |
gptkb:Paris_Museum_of_Modern_Art
gptkb:Dada_exhibition_1921 |
| gptkbp:bfsLayer |
6
|