Statements (27)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
gptkb:artist
gptkb:person |
| gptkbp:birthDate |
1967
|
| gptkbp:birthPlace |
gptkb:Harbin
|
| gptkbp:deathDate |
2018
|
| gptkbp:education |
gptkb:Central_Academy_of_Fine_Arts
|
| gptkbp:exhibitedAt |
gptkb:Tate_Modern
gptkb:National_Art_Museum_of_China gptkb:International_Center_of_Photography |
| gptkbp:field |
gptkb:DVD
contemporary art photography installation art |
| gptkbp:gender |
female
|
| https://www.w3.org/2000/01/rdf-schema#label |
Cui Xiuwen
|
| gptkbp:knownFor |
social commentary in art
exploring gender and identity |
| gptkbp:memberOf |
Chinese avant-garde art movement
|
| gptkbp:nationality |
gptkb:Chinese
|
| gptkbp:notableWork |
Angel series
Lady's Room Existential Emptiness series |
| gptkbp:occupation |
gptkb:artist
|
| gptkbp:spouse |
gptkb:Zhang_Wei
|
| gptkbp:bfsParent |
gptkb:National_Gallery_of_Victoria_collections
gptkb:Art_and_China_after_1989:_Theater_of_the_World |
| gptkbp:bfsLayer |
8
|