Statements (54)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:String_Quartet
|
| gptkbp:arrangements |
Arranged for various ensembles
|
| gptkbp:artistic_influence |
Influenced by Western classical music traditions
Significant impact on string quartet repertoire |
| gptkbp:artistic_innovation |
Innovative use of string techniques
|
| gptkbp:audience |
Emotional response from audiences
|
| gptkbp:character |
Melancholic and reflective
|
| gptkbp:composer |
gptkb:Dmitri_Shostakovich
|
| gptkbp:critical_analysis |
Analyzed for its emotional depth
|
| gptkbp:critical_reception |
Highly regarded by music critics
|
| gptkbp:cultural_impact |
Influenced contemporary chamber music
|
| gptkbp:cultural_significance |
Represents resilience in art during conflict
|
| gptkbp:dedication |
To the memory of the victims of fascism
|
| gptkbp:duration |
approximately 30 minutes
|
| gptkbp:educational_use |
Studied in music conservatories
|
| gptkbp:first_performance |
gptkb:Leningrad
|
| gptkbp:form |
Sonata form in the first movement
|
| gptkbp:historical_context |
Composed during the Siege of Leningrad
|
| gptkbp:historical_legacy |
Part of the 20th-century classical repertoire
|
| https://www.w3.org/2000/01/rdf-schema#label |
Cuarteto de cuerda No. 2
|
| gptkbp:influences |
Russian folk music
|
| gptkbp:inspiration |
The suffering of war victims
|
| gptkbp:instrumentation |
2 violins, viola, cello
|
| gptkbp:key |
A major
|
| gptkbp:legacy |
Continues to be performed and studied today
|
| gptkbp:members |
Various string quartets worldwide
|
| gptkbp:mood |
Intense and dramatic
|
| gptkbp:music_composer |
Influenced by Bartók and Prokofiev
|
| gptkbp:music_style |
Complex and innovative
Multi-movement work Use of dissonance and counterpoint Unique blend of traditional and modern elements |
| gptkbp:notable_conductors |
gptkb:Bernstein
|
| gptkbp:notable_performances |
gptkb:Yuri_Bashmet
Performed at major music festivals Performed by the Borodin Quartet |
| gptkbp:notable_production |
Part of Shostakovich's string quartet cycle
|
| gptkbp:notable_quote |
Quotes from Shostakovich about the work
|
| gptkbp:notable_recordings |
Performed by the Emerson String Quartet
|
| gptkbp:number_of_movements |
gptkb:5
|
| gptkbp:performance |
Commonly performed in chamber music festivals
Frequently performed since its premiere |
| gptkbp:performance_tradition |
Often performed in memorial concerts
|
| gptkbp:premiere_date |
gptkb:1944
|
| gptkbp:published_by |
gptkb:DSCH_Publishing
|
| gptkbp:recordings |
Available on various classical music labels
|
| gptkbp:related_works |
Cuarteto de cuerda No. 1
|
| gptkbp:significance |
Reflects Shostakovich's personal experiences during WWII
|
| gptkbp:style |
gptkb:chamber_music
|
| gptkbp:theme |
Exploration of human suffering
|
| gptkbp:themes |
Loss and memory
|
| gptkbp:year_composed |
gptkb:1944
|
| gptkbp:bfsParent |
gptkb:Tomás_Marco
|
| gptkbp:bfsLayer |
6
|