gptkbp:instance_of
|
gptkb:film
|
gptkbp:available_on
|
gptkb:DVD
gptkb:Blu-ray
|
gptkbp:based_on
|
novel by Chester Himes
|
gptkbp:box_office
|
$1.5 million
|
gptkbp:cinematography_by
|
gptkb:Arthur_J._Ornitz
notable
|
gptkbp:costume_design
|
notable
|
gptkbp:country
|
gptkb:United_States
|
gptkbp:critical_reception
|
mixed reviews
|
gptkbp:cult_status
|
gptkb:true
|
gptkbp:depicts
|
police corruption
|
gptkbp:design
|
notable
|
gptkbp:directed_by
|
gptkb:Ossie_Davis
|
gptkbp:distributor
|
gptkb:Columbia_Pictures
|
gptkbp:edited_by
|
gptkb:Michael_Luciano
|
gptkbp:explores
|
racial issues
|
gptkbp:features
|
gptkb:jazz_music
action sequences
heist plot
|
gptkbp:follows
|
two detectives
|
gptkbp:genre
|
crime comedy
|
gptkbp:has_cameo
|
several comedians
|
gptkbp:has_cultural_impact
|
gptkb:true
|
gptkbp:has_editing_by
|
notable
|
gptkbp:has_sequel
|
gptkb:Come_Back,_Charleston_Blue
|
gptkbp:has_soundtrack
|
notable
|
gptkbp:has_theme
|
gptkb:betrayal
gptkb:justice
gptkb:survival
gptkb:friendship
gptkb:identity
gptkb:community
|
https://www.w3.org/2000/01/rdf-schema#label
|
Cotton Comes to Harlem
|
gptkbp:influenced
|
blaxploitation genre
later crime films
|
gptkbp:influenced_by
|
African American culture
|
gptkbp:inspired_by
|
real events
|
gptkbp:is_considered
|
a classic
|
gptkbp:language
|
English
|
gptkbp:makeup_artist
|
notable
|
gptkbp:music_by
|
gptkb:J._J._Johnson
|
gptkbp:notable_for
|
social commentary
|
gptkbp:part_of
|
gptkb:Himes'_Harlem_Detective_series
|
gptkbp:premiered_on
|
gptkb:New_York_Film_Festival
|
gptkbp:produced_by
|
gptkb:Ossie_Davis
|
gptkbp:released_in
|
gptkb:1970
|
gptkbp:runtime
|
101 minutes
|
gptkbp:screenplay_by
|
gptkb:Chester_Himes
|
gptkbp:set_in
|
gptkb:Harlem
1960s
|
gptkbp:starring
|
gptkb:Raymond_St._Jacques
gptkb:Redd_Foxx
gptkb:Godfrey_Cambridge
|
gptkbp:bfsParent
|
gptkb:Chester_Himes
|
gptkbp:bfsLayer
|
5
|