Statements (45)
Predicate | Object |
---|---|
gptkbp:instance_of |
gptkb:studio
|
gptkbp:bfsLayer |
3
|
gptkbp:bfsParent |
gptkb:The_Dixie_Cups
|
gptkbp:active_years |
1940s
1950s 1960s |
gptkbp:closing_date |
gptkb:1980s
|
gptkbp:founded |
gptkb:Cosimo_Matassa
|
gptkbp:genre |
Rhythm and blues
Rock and roll |
https://www.w3.org/2000/01/rdf-schema#label |
Cosimo Matassa's studio
|
gptkbp:influenced |
Rock music
New Orleans music scene Rhythm and blues music |
gptkbp:is_known_for |
producing hit records
recording early rock and roll recording rhythm and blues |
gptkbp:label |
gptkb:Imperial_Records
gptkb:Ace_Records gptkb:Atco_Records gptkb:RCA_Victor gptkb:Minit_Records |
gptkbp:legacy |
influential in music history
cultural landmark in New Orleans |
gptkbp:location |
gptkb:New_Orleans
|
gptkbp:notable_artists |
gptkb:Ray_Charles
gptkb:Little_Richard gptkb:The_Neville_Brothers gptkb:Dr._John gptkb:Fats_Domino |
gptkbp:notable_production |
' Tutti Frutti' by Little Richard
' Blueberry Hill' by Fats Domino ' Right Place, Wrong Time' by Dr. John ' Tell It Like It Is' by Aaron Neville ' What'd I Say' by Ray Charles |
gptkbp:successor |
gptkb:The_Parlor_Recording_Studio
The Warehouse Studio Piety Street Recording Studio in the Woods The Music Shed |
gptkbp:technology |
gptkb:book
analog recording tape recording mastering techniques microphone techniques |