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gptkbp:instance_of
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gptkb:opera
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gptkbp:bfsLayer
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4
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gptkbp:bfsParent
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gptkb:Don_Alfonso
gptkb:Dmitri_Hvorostovsky
gptkb:Glyndebourne_Festival
gptkb:Mariinsky_Theatre
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gptkbp:activities
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two acts
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gptkbp:adaptation
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gptkb:musical
gptkb:ballet
gptkb:film
adapted into films
adapted into musicals
adapted into ballets
modern reinterpretation
adapted into films and stage productions
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gptkbp:artistic_influence
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influenced composers after Mozart
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gptkbp:associated_act
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two
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gptkbp:audience
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popular with audiences
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gptkbp:based_on
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The School for Lovers by Stephen Storace
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gptkbp:character
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gptkb:Dorabella
gptkb:Don_Alfonso
gptkb:Despina
gptkb:Fiordiligi
gptkb:Guglielmo
Ferrando
six main characters
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gptkbp:character_development
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characters undergo significant changes
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gptkbp:collaborations
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Prenderò quel brunettino
Fra gli amplessi
Smanie implacabili
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gptkbp:composer
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gptkb:Wolfgang_Amadeus_Mozart
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gptkbp:critical_reception
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mixed reviews at premiere
considered a classic today
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gptkbp:cultural_impact
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performed worldwide
subject of academic studies
adapted into various languages
influenced pop culture references
part of standard operatic repertoire
featured in opera festivals
influenced many later works
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gptkbp:cultural_references
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referenced in literature and film
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gptkbp:cultural_significance
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part of the standard operatic repertoire
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gptkbp:debut_year
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1790
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gptkbp:director
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directed by many acclaimed directors
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gptkbp:filmography
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influenced theatrical productions beyond opera
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|
gptkbp:finale_date
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features a complex resolution
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|
gptkbp:first_performance
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gptkb:Vienna
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gptkbp:genre
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gptkb:opera_buffa
comic opera
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gptkbp:historical_context
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reflects Enlightenment ideals
often reinterpreted in contemporary settings
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|
https://www.w3.org/2000/01/rdf-schema#label
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Cosi fan tutte
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gptkbp:influence
|
inspired literature
inspired films
inspired many adaptations
inspired music compositions
inspired other operas
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gptkbp:influenced_artists
|
considered one of Mozart's masterpieces
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gptkbp:language
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gptkb:Italian
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gptkbp:librettist
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gptkb:Lorenzo_Da_Ponte
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gptkbp:main_character
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gptkb:Dorabella
gptkb:Don_Alfonso
gptkb:Despina
gptkb:Fiordiligi
gptkb:Guglielmo
Ferrando
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|
gptkbp:music_style
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gptkb:classical
includes comedic elements
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|
gptkbp:notable_artists
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performed by many renowned opera singers
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gptkbp:notable_character
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gptkb:Dorabella
gptkb:Don_Alfonso
gptkb:Despina
gptkb:Fiordiligi
gptkb:Guglielmo
Ferrando
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|
gptkbp:notable_conductors
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gptkb:Riccardo_Muti
gptkb:Herbert_von_Karajan
gptkb:Daniel_Barenboim
gptkb:Bernstein
conducted by many famous conductors
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gptkbp:notable_event
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gptkb:festival
gptkb:Glyndebourne_Festival
gptkb:Aix-en-Provence_Festival
gptkb:Santa_Fe_Opera
gptkb:Bregenz_Festival
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gptkbp:notable_for
|
finale of Act 2
finale of Act 1
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|
gptkbp:notable_performance
|
performed in various languages
performed regularly worldwide
performed at major opera houses
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gptkbp:notable_performers
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gptkb:Juan_Diego_Flórez
gptkb:Thomas_Hampson
gptkb:Joyce_Di_Donato
gptkb:Renée_Fleming
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gptkbp:notable_production
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gptkb:Lyric_Opera_of_Chicago
gptkb:Royal_Opera_House
gptkb:Vienna_State_Opera
gptkb:San_Francisco_Opera
gptkb:opera
gptkb:Peter_Brook's_production
David Mc Vicar's production
Robert Carsen's production
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|
gptkbp:notable_recordings
|
numerous recordings exist
multiple famous recordings
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|
gptkbp:notable_song
|
Come scoglio
Un aura amorosa
Soave sia il vento
Un'aura amorosa
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|
gptkbp:number_of_rooms
|
contains chamber music elements
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gptkbp:official_language
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gptkb:Italian
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gptkbp:orchestration
|
full orchestra
for orchestra and singers
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|
gptkbp:performance
|
performed worldwide
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|
gptkbp:plot_summary
|
two sisters test their fiancés' fidelity
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gptkbp:premiere
|
1790
January 26, 1790
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gptkbp:premiere_date
|
January 26, 1790
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|
gptkbp:scholarly_analysis
|
subject of extensive academic study
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|
gptkbp:setting
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gptkb:Naples
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gptkbp:thematic_element
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gptkb:Trust
gptkb:military_operation
gender roles
love and fidelity
explores themes of deception
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gptkbp:theme
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gptkb:military_operation
human nature
gender roles
love and fidelity
recurring musical motifs
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