Statements (53)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:Piano_Sonata
|
| gptkbp:bfsLayer |
5
|
| gptkbp:bfsParent |
gptkb:Bartók_orchestral_works
|
| gptkbp:analysis |
often analyzed in musicology
|
| gptkbp:arrangements |
arranged for various ensembles
|
| gptkbp:audience |
well-received by audiences
|
| gptkbp:character |
virtuosic and rhythmic
|
| gptkbp:composer |
gptkb:Béla_Bartók
gptkb:London_Symphony_Orchestra |
| gptkbp:critical_reception |
generally positive
|
| gptkbp:cultural_impact |
significant in classical music history
|
| gptkbp:cultural_significance |
important work in 20th-century repertoire
reflects cultural exchanges in music |
| gptkbp:dedication |
gptkb:Zoltán_Székely
|
| gptkbp:duration |
approximately 30 minutes
|
| gptkbp:filming_location |
gptkb:Amsterdam
|
| gptkbp:first_performance |
performed by the Concertgebouw Orchestra
|
| gptkbp:focuses_on |
often studied in music programs
|
| gptkbp:historical_context |
written during Bartók's American period
varied interpretations by performers |
| https://www.w3.org/2000/01/rdf-schema#label |
Concerto for Piano, Sz. 83
|
| gptkbp:influenced |
later composers
|
| gptkbp:influenced_by |
Bartók's ethnomusicological research
|
| gptkbp:influences |
gptkb:mythological_figure
|
| gptkbp:inspiration |
Bartók's experiences in America
|
| gptkbp:instrument |
piano, woodwinds, brass, percussion, strings
|
| gptkbp:is_influential_in |
influenced the development of modern piano concertos
|
| gptkbp:key |
E major
|
| gptkbp:legacy |
remains a staple of the piano concerto repertoire
|
| gptkbp:movement |
gptkb:Allegro
gptkb:Adagio three Allegro molto |
| gptkbp:music_style |
sonata form in movements
complex harmonies and rhythms |
| gptkbp:notable_conductors |
gptkb:Bernstein
|
| gptkbp:notable_performance |
has a rich performance tradition
|
| gptkbp:notable_performers |
gptkb:Martha_Argerich
|
| gptkbp:notable_recordings |
multiple recordings available
by various pianists |
| gptkbp:orchestration |
piano and orchestra
|
| gptkbp:performance |
requires advanced technique
|
| gptkbp:performed_by |
frequently in concert halls
|
| gptkbp:premiere_date |
1933
|
| gptkbp:published_by |
1936
|
| gptkbp:record_label |
various labels
|
| gptkbp:signature_move |
of Béla Bartók
|
| gptkbp:social_structure |
three movements
|
| gptkbp:style |
modern classical
combines classical and folk elements |
| gptkbp:technique |
uses innovative piano techniques
|
| gptkbp:thematic_element |
uses folk themes
|
| gptkbp:theme |
explores various musical themes
|