Statements (166)
Predicate | Object |
---|---|
gptkbp:instance_of |
gptkb:play
gptkb:character |
gptkbp:bfsLayer |
3
|
gptkbp:bfsParent |
gptkb:John_Milton
|
gptkbp:adaptation |
various theatrical productions
Various stage adaptations Adapted into operas and musicals |
gptkbp:adapted_into |
film and television
modern interpretations |
gptkbp:appears_in |
operas and ballets
Comus (play) |
gptkbp:associated_with |
gptkb:theatre
the Lady the revelers The celebration of the harvest the concept of revelry the Attendant Spirit the theme of chastity |
gptkbp:based_on |
The story of Comus from Greek mythology
|
gptkbp:character_development |
The Lady's journey to virtue
|
gptkbp:characteristics |
Comus as a representation of temptation
|
gptkbp:child |
gptkb:Bacchus
the Lady in the play |
gptkbp:created_by |
gptkb:John_Milton
|
gptkbp:critical_reception |
Well-received in its time
|
gptkbp:cultural_impact |
Influenced later works of literature and theater
|
gptkbp:cultural_references |
Referenced in various literary works
|
gptkbp:cultural_significance |
Reflects the values of its time
|
gptkbp:depicted_in |
a figure of seduction
|
gptkbp:explores |
the nature of temptation and resistance
|
gptkbp:features |
music and dance
|
gptkbp:features_character |
the Comus and the Lady
|
gptkbp:first_appearance |
Comus (play)
|
gptkbp:first_performance |
1634
|
gptkbp:genre |
gptkb:sports_event
|
gptkbp:has_influence_on |
gptkb:literature_and_art
|
gptkbp:has_theme |
moral conflict
|
gptkbp:historical_context |
Reflects the political climate of the 17th century.
Written during the English Renaissance |
gptkbp:historical_significance |
Represents the genre of masque in English literature
|
https://www.w3.org/2000/01/rdf-schema#label |
Comus
|
gptkbp:influenced |
Later poets and playwrights
later literature and art |
gptkbp:influenced_by |
Renaissance literature
Classical mythology classical mythology Theatrical traditions of the time |
gptkbp:inspiration |
Inspired by earlier masques
|
gptkbp:inspired_by |
the story of the Lady's rescue
|
gptkbp:is_a |
gptkb:philosopher
gptkb:mythological_figure character in epic poetry figure in cultural studies figure in classical mythology figure in literary history character in performance art character in allegorical literature character in theatrical history character in moral tales figure in dramatic literature character in English folklore character in English literature character in Milton's works character in allegorical plays figure in Renaissance art figure in narrative poetry figure in pastoral literature symbol of hedonism symbol of the dark side of pleasure |
gptkbp:is_a_venue_for |
gptkb:Ludlow_Castle
gptkb:The_court_of_King_Charles_I |
gptkbp:is_aimed_at |
an aristocratic audience
|
gptkbp:is_associated_with |
the theme of temptation
the celebration of Christmas the theme of innocence the celebration of nature the theme of innocence versus experience |
gptkbp:is_available_in |
Public domain
|
gptkbp:is_characterized_by |
its use of allegory
|
gptkbp:is_considered |
a precursor to later dramatic forms
|
gptkbp:is_considered_as |
a significant work in English literature
a significant work in Milton's oeuvre a reflection of human desires a moral allegory |
gptkbp:is_described_as |
a personification of revelry
|
gptkbp:is_explored_in |
academic studies
the context of Puritanism |
gptkbp:is_featured_in |
masques
|
gptkbp:is_influenced_by |
the works of classical poets
|
gptkbp:is_known_for |
his ability to enchant
his seductive powers |
gptkbp:is_motivated_by |
Comus's desire to seduce
The Lady's desire to resist temptation |
gptkbp:is_noted_for |
its elaborate staging
|
gptkbp:is_often_compared_to |
other literary tricksters
|
gptkbp:is_often_depicted_as |
a warning against excess
|
gptkbp:is_opposed_by |
the virtue of the Lady
|
gptkbp:is_part_of |
gptkb:English_Renaissance_drama
the tradition of English masques the tradition of court masques the English Renaissance theatre tradition the literary canon of the 17th century |
gptkbp:is_referenced_in |
other literary works
various literary critiques |
gptkbp:is_reflected_in |
the social issues of its time
|
gptkbp:is_related_to |
the concept of free will
|
gptkbp:is_represented_in |
gptkb:various_adaptations
modern adaptations |
gptkbp:is_studied_in |
literary courses
|
gptkbp:is_symbolic_of |
excess and indulgence
|
gptkbp:language |
English
|
gptkbp:music_style |
Combines dialogue and song
Includes songs and music |
gptkbp:narrative_style |
Poetic and allegorical
|
gptkbp:notable_character |
gptkb:The_Lady
gptkb:Comus gptkb:The_Brothers gptkb:The_Attendant_Spirit the Lady the Spirit Comus (the character) |
gptkbp:notable_for |
its lyrical beauty
its rich symbolism |
gptkbp:notable_performance |
Part of the English theatrical tradition
Performed at the court of Charles I |
gptkbp:notable_performers |
Still performed today
|
gptkbp:notable_quote |
" The lady of the castle"
" The better part of Valour, is Discretion." |
gptkbp:official_language |
English
|
gptkbp:performed_by |
gptkb:Ludlow_Castle
gptkb:Educational_Institution Lincoln's Inn Fields festive occasions theatrical festivals various theatre companies Various theater companies in various theaters students in drama programs |
gptkbp:portrayed_by |
a trickster
artistic representations the god of revelry a sorcerer |
gptkbp:published_by |
1634
1637 |
gptkbp:related_to |
the theme of virtue
|
gptkbp:represents |
debauchery
|
gptkbp:scholarly_analysis |
Subject of various literary critiques
|
gptkbp:set_in |
the mythological landscape
|
gptkbp:setting |
gptkb:tree
a forest A forest in the vicinity of a castle |
gptkbp:social_structure |
Five acts
|
gptkbp:symbolism |
Represents the struggle between good and evil
|
gptkbp:symbolizes |
the conflict between good and evil
the conflict between virtue and vice |
gptkbp:thematic_element |
The power of nature
The role of the supernatural Explores themes of morality The importance of chastity |
gptkbp:theme |
temptation
The conflict between virtue and temptation |
gptkbp:themes |
The importance of reason
The role of fate The nature of desire |
gptkbp:written_by |
gptkb:John_Milton
|
gptkbp:written_in |
verse form
|