Composition with Red, Yellow, and Blue (1942)
GPTKB entity
Statements (49)
Predicate | Object |
---|---|
gptkbp:instance_of |
gptkb:painting
|
gptkbp:bfsLayer |
4
|
gptkbp:bfsParent |
gptkb:Piet_Mondrian
|
gptkbp:art_movement |
gptkb:modernism
abstract art |
gptkbp:art_style |
minimalism
asymmetrical balance non-representational art recognized as a masterpiece color blocking pure abstraction grid composition lines and rectangles created during World War II vision of a harmonious world belief in universal beauty express harmony and order |
gptkbp:artistic_influence |
gptkb:museum
influenced color field painting impact on visual culture contributed to the development of modern art influenced color theory |
gptkbp:artistic_legacy |
legacy in contemporary art
influential in design and architecture |
gptkbp:collection |
Museum of Modern Art collection
|
gptkbp:color |
primary colors
blocks of color |
gptkbp:created_by |
gptkb:Piet_Mondrian
|
gptkbp:cultural_impact |
significant in art history
|
gptkbp:dimensions |
127 x 127 cm
|
gptkbp:exhibited_at |
1943 exhibition in New York
|
gptkbp:exhibition |
featured in various exhibitions
high value in auctions |
https://www.w3.org/2000/01/rdf-schema#label |
Composition with Red, Yellow, and Blue (1942)
|
gptkbp:influenced |
modern art movements
|
gptkbp:influenced_artists |
gptkb:Theo_van_Doesburg
later abstract artists |
gptkbp:influenced_by |
gptkb:sports_team
|
gptkbp:inspired_by |
theosophy
|
gptkbp:is_criticized_for |
widely discussed in art literature
|
gptkbp:location |
gptkb:Museum_of_Modern_Art,_New_York
|
gptkbp:medium |
gptkb:oil_on_canvas
|
gptkbp:notable_for |
use of color and form
|
gptkbp:part_of |
Piet Mondrian's late works
|
gptkbp:related_to |
other works by Piet Mondrian
|
gptkbp:significance |
example of abstraction
|
gptkbp:style |
gptkb:De_Stijl
|
gptkbp:technique |
geometric abstraction
|
gptkbp:year_created |
gptkb:1942
|