Composition with Black, Red, Yellow, Blue, and White
GPTKB entity
Statements (48)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:painting
|
| gptkbp:bfsLayer |
4
|
| gptkbp:bfsParent |
gptkb:Piet_Mondrian
|
| gptkbp:artist |
gptkb:Piet_Mondrian
|
| gptkbp:artistic_influence |
influence on contemporary art
emphasis on harmony influence on postmodern art use of primary colors influence on graphic design influence on visual arts exploration of color theory influence on art education impact on architecture influence on art history influence on product design influence on design theory reduction of form influence on art criticism development of abstract art influence on fashion design influence on visual communication influence on color field painting integration of color and form |
| gptkbp:collection |
gptkb:The_Museum_of_Modern_Art,_New_York
|
| gptkbp:color |
gptkb:black
gptkb:blue gptkb:red gptkb:white gptkb:yellow |
| gptkbp:cultural_significance |
icon of modern art
|
| gptkbp:dimensions |
100 cm × 100 cm
|
| gptkbp:exhibition |
Exhibition at the Stedelijk Museum
|
| https://www.w3.org/2000/01/rdf-schema#label |
Composition with Black, Red, Yellow, Blue, and White
|
| gptkbp:influenced |
minimalism
abstract expressionism |
| gptkbp:influenced_artists |
gptkb:Theo_van_Doesburg
gptkb:Bart_van_der_Leck |
| gptkbp:influences |
gptkb:sports_team
|
| gptkbp:inspired_by |
theoretical principles of abstraction
|
| gptkbp:location |
gptkb:Museum_of_Modern_Art
|
| gptkbp:medium |
gptkb:oil_on_canvas
|
| gptkbp:movement |
gptkb:De_Stijl
|
| gptkbp:notable_features |
gptkb:painting
primary colors asymmetrical balance |
| gptkbp:style |
neoplasticism
|
| gptkbp:technique |
grid composition
|
| gptkbp:year |
gptkb:1921
|