gptkbp:instanceOf
|
musician
|
gptkbp:activeYears
|
1920s-2003
|
gptkbp:associatedAct
|
gptkb:Buena_Vista_Social_Club
|
gptkbp:awards
|
gptkb:Latin_Grammy_Award
|
gptkbp:birthDate
|
November 18, 1907
|
gptkbp:birthPlace
|
Santiago_de_Cuba,_Cuba
|
gptkbp:children
|
4
|
gptkbp:collaboratedWith
|
gptkb:Ibrahim_Ferrer
|
gptkbp:contributedTo
|
Revival_of_Cuban_music
|
gptkbp:culturalHeritage
|
Cultural_ambassador_for_Cuba
|
gptkbp:culturalImpact
|
Global_appreciation_of_Cuban_music
|
gptkbp:culturalSignificance
|
Symbol_of_Cuban_heritage
|
gptkbp:deathDate
|
July 14, 2003
|
gptkbp:examinationType
|
2003
|
gptkbp:famous_for
|
gptkb:Los_Compadres
|
gptkbp:famousFor
|
Cuban_son_music
|
gptkbp:famousQuote
|
“Music is the language of the soul.”
|
gptkbp:famousRival
|
gptkb:Carnegie_Hall
gptkb:Cuban_International_Music_Festival
Cuban_music_festivals.
|
gptkbp:genre
|
gptkb:Son_Cubano
|
https://www.w3.org/2000/01/rdf-schema#label
|
Compay Segundo
|
gptkbp:image
|
Compay_Segundo.jpg
|
gptkbp:influence
|
gptkb:Cuban_Revolution
|
gptkbp:influenced
|
gptkb:Beny_Moré
World music
Jazz, Blues
|
gptkbp:influencedBy
|
gptkb:Pablo_Milanés
|
gptkbp:influences
|
Cuban_music
|
gptkbp:inspiration
|
New generation of musicians
|
gptkbp:instrument
|
Guitar
Tres
|
gptkbp:knownFor
|
Music career
|
gptkbp:legacy
|
Cuban_music_icon
|
gptkbp:musicStyle
|
Fusion of traditional and modern
|
gptkbp:nationality
|
Cuban
|
gptkbp:nickname
|
gptkb:Compay_Segundo
|
gptkbp:notableEvent
|
gptkb:Buena_Vista_Social_Club_album
|
gptkbp:notableFeature
|
gptkb:Buena_Vista_Social_Club
gptkb:Ibrahim_Ferrer
|
gptkbp:notableSong
|
gptkb:Chan_Chan
|
gptkbp:performedBy
|
Cuban_festivals
|
gptkbp:postRetirementCareer
|
Street performer
International tours
|
gptkbp:recordings
|
gptkb:Orquesta_Aragón
Over 100
Son,_Bolero,_Guajira
|
gptkbp:recordLabel
|
gptkb:World_Circuit
|
gptkbp:sequel
|
No Quiero Llanto
|
gptkbp:soundtrack
|
Self-taught
|
gptkbp:spouse
|
gptkb:Maria_Teresa
|
gptkbp:style
|
Traditional_Cuban
|
gptkbp:website
|
compaysegundo.com
|