|
gptkbp:instance_of
|
gptkb:book
gptkb:photography
|
|
gptkbp:addressed
|
Economic independence
|
|
gptkbp:advocated_for
|
gptkb:social_democracy
American independence
Social contract
|
|
gptkbp:appeals_to
|
Common people
|
|
gptkbp:argued_on
|
Tyranny
Independence from Britain
|
|
gptkbp:artistic_technique
|
Satirical
|
|
gptkbp:author
|
gptkb:Thomas_Paine
|
|
gptkbp:available_at
|
Libraries and archives
|
|
gptkbp:contains
|
Rhetorical questions
|
|
gptkbp:contributed_to
|
American identity
|
|
gptkbp:created_by
|
gptkb:Martin_Parr
|
|
gptkbp:critical_reception
|
Positive reviews
|
|
gptkbp:dimensions
|
24 x 28 cm
|
|
gptkbp:discusses
|
Natural rights
Rights of man
|
|
gptkbp:emphasizes
|
Unity among colonies
|
|
gptkbp:exhibitions
|
gptkb:Martin_Parr_Foundation
|
|
gptkbp:features
|
Everyday life
|
|
gptkbp:focuses_on
|
Consumer culture
|
|
gptkbp:format
|
gptkb:Constitution
|
|
gptkbp:genre
|
gptkb:Constitution
|
|
gptkbp:has_influence_on
|
Contemporary photography
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Common Sense
|
|
gptkbp:impact
|
Mobilized public opinion
|
|
gptkbp:includes
|
Color photographs
|
|
gptkbp:influenced
|
gptkb:American_Revolution
|
|
gptkbp:inspired
|
gptkb:Declaration_of_Independence
|
|
gptkbp:is_acclaimed_for
|
Its arguments for independence
|
|
gptkbp:is_analyzed_in
|
gptkb:British_government
Literary critiques
|
|
gptkbp:is_available_in
|
Public domain
|
|
gptkbp:is_cited_in
|
Political debates
Historical analyses
|
|
gptkbp:is_considered
|
A pivotal work in American history
Foundational text of American democracy
|
|
gptkbp:is_considered_by
|
Scholars as revolutionary
|
|
gptkbp:is_criticized_for
|
gptkb:monarchy
|
|
gptkbp:is_discussed_in
|
gptkb:documentary
|
|
gptkbp:is_influenced_by
|
John Locke's philosophy
|
|
gptkbp:is_notable_for
|
Clear and direct language
|
|
gptkbp:is_often_compared_to
|
Other revolutionary texts
|
|
gptkbp:is_part_of
|
American heritage
American political literature
American revolutionary literature
|
|
gptkbp:is_recognized_as
|
A catalyst for change
|
|
gptkbp:is_referenced_in
|
Political speeches
Modern political discourse
|
|
gptkbp:is_reflected_in
|
Enlightenment ideas
|
|
gptkbp:is_studied_in
|
Political science courses
|
|
gptkbp:is_used_for
|
A teaching tool
|
|
gptkbp:isbn
|
978-1904587004
|
|
gptkbp:language
|
English
|
|
gptkbp:location
|
gptkb:Maison_Européenne_de_la_Photographie
|
|
gptkbp:page_count
|
128
|
|
gptkbp:pages
|
47
|
|
gptkbp:performed_in
|
Colonial unrest
|
|
gptkbp:publication_year
|
gptkb:2002
|
|
gptkbp:published
|
gptkb:1776
|
|
gptkbp:published_by
|
gptkb:many_times
gptkb:Dewi_Lewis_Publishing
|
|
gptkbp:published_in
|
gptkb:Philadelphia
|
|
gptkbp:published_year
|
gptkb:1999
|
|
gptkbp:series
|
Yes, No, Maybe
|
|
gptkbp:significance
|
First bestseller in American history
|
|
gptkbp:style
|
Humor
Persuasive writing
|
|
gptkbp:subject_matter
|
British society
|
|
gptkbp:target_audience
|
gptkb:Colonial_Americans
|
|
gptkbp:translated_into
|
multiple languages
|
|
gptkbp:used_by
|
Revolutionary leaders
|
|
gptkbp:was_distributed
|
Widely throughout the colonies
|
|
gptkbp:written_in
|
A time of crisis
|
|
gptkbp:year
|
gptkb:2019
|
|
gptkbp:bfsParent
|
gptkb:Artificial_Intelligence
|
|
gptkbp:bfsLayer
|
3
|