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gptkbp:instance_of
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gptkb:play
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gptkbp:bfsLayer
|
4
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gptkbp:bfsParent
|
gptkb:Cooperative_Calligraphy
gptkb:Kaalakaandi
|
|
gptkbp:adaptation
|
gptkb:film
musical adaptations
|
|
gptkbp:adapted_into
|
gptkb:ballet
gptkb:opera
|
|
gptkbp:character
|
gptkb:Dromio_of_Syracuse
gptkb:Antipholus_of_Syracuse
gptkb:Antipholus_of_Ephesus
gptkb:Dromio_of_Ephesus
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|
gptkbp:critical_reception
|
well-received
|
|
gptkbp:cultural_impact
|
performed worldwide
influenced modern comedies
|
|
gptkbp:director
|
gptkb:Peter_Hall
gptkb:John_Gielgud
|
|
gptkbp:famous_quote
|
" I am an ass!"
|
|
gptkbp:first_performance
|
1594
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gptkbp:genre
|
gptkb:musical
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Comedy of Errors
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|
gptkbp:influences
|
farce
commedia dell'arte
|
|
gptkbp:inspired_by
|
Plautus' Menaechmi
|
|
gptkbp:language
|
English
|
|
gptkbp:notable_character
|
gptkb:Alan_Rickman
gptkb:David_Mitchell
gptkb:Judi_Dench
gptkb:Mark_Rylance
gptkb:Tamsin_Greig
gptkb:Simon_Russell_Beale
gptkb:Stephen_Mangan
gptkb:Catherine_Tate
gptkb:David_Bradley
gptkb:David_Tennant
gptkb:Emma_Thompson
gptkb:Hugh_Laurie
gptkb:Maggie_Smith
gptkb:John_Cleese
gptkb:Imelda_Staunton
gptkb:Richard_Griffiths
gptkb:Tom_Hiddleston
gptkb:Jennifer_Saunders
gptkb:Matthew_Kelly
gptkb:Dawn_French
gptkb:Adrian_Lester
gptkb:Sir_Ruth_Wilson
gptkb:Ethan_Hawke
gptkb:Richard_Briers
gptkb:Stephen_John_Fry
gptkb:Roger_Allam
|
|
gptkbp:notable_performance
|
gptkb:The_Globe_Theatre
gptkb:Royal_Shakespeare_Company
|
|
gptkbp:notable_quote
|
" I see two husbands, or mine own eyes deceive me."
" The course of true love never did run smooth."
|
|
gptkbp:official_language
|
Early Modern English
|
|
gptkbp:performance
|
approximately 2 hours
|
|
gptkbp:published_by
|
1623
|
|
gptkbp:setting
|
gptkb:Ephesus
|
|
gptkbp:themes
|
love
family reunion
mistaken identity
|
|
gptkbp:written_by
|
gptkb:Educational_Institution
|