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gptkbp:instance_of
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gptkb:play
gptkb:film
|
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gptkbp:bfsLayer
|
5
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gptkbp:bfsParent
|
gptkb:Daniel_Mann
gptkb:Shirley_Booth
gptkb:William_Inge
|
|
gptkbp:adaptation
|
adapted from stage to screen.
|
|
gptkbp:adapted_into
|
gptkb:film
various directors
|
|
gptkbp:associated_act
|
2
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|
gptkbp:audience
|
cult classic status.
|
|
gptkbp:awards
|
gptkb:musical
gptkb:Academy_Award_for_Best_Actress
2
Tony Award nominations
Academy Award nomination for Best Actor
|
|
gptkbp:based_on
|
gptkb:play_by_William_Inge
|
|
gptkbp:box_office
|
$1.5 million
|
|
gptkbp:cast
|
gptkb:Lola_Delaney
gptkb:Doc_Delaney
Marie.
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|
gptkbp:character_arc
|
Lola's journey of self-discovery.
|
|
gptkbp:character_development
|
Doc faces his past
Marie grows up
focuses on character struggles.
|
|
gptkbp:character_relationships
|
Doc and Lola
Doc's alcoholism
Lola's ambitions
|
|
gptkbp:cinematography
|
gptkb:James_Wong_Howe
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:critical_reception
|
positive
well-received
|
|
gptkbp:cultural_impact
|
reflected societal norms
inspired discussions on addiction
depicted post-war America
explored domestic issues
influential in American theater and film.
|
|
gptkbp:director
|
gptkb:Daniel_Mann
|
|
gptkbp:distributor
|
gptkb:Paramount_Pictures
|
|
gptkbp:edited_by
|
gptkb:George_Boemler
|
|
gptkbp:film_festival
|
gptkb:film_festival
|
|
gptkbp:filming_location
|
California.
|
|
gptkbp:filmography
|
gptkb:battle
|
|
gptkbp:genre
|
gptkb:High_School
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Come Back, Little Sheba
|
|
gptkbp:influenced
|
gptkb:American_theater
later playwrights
future dramatic films.
|
|
gptkbp:influenced_by
|
gptkb:existentialism
gptkb:theater_of_the_absurd
realism
theatrical performances.
|
|
gptkbp:inspiration
|
inspired by real-life experiences.
Inge's own experiences
|
|
gptkbp:is_critical_for
|
examines post-war American life.
|
|
gptkbp:is_motivated_by
|
Doc's longing for the past
Lola's desire for stability
|
|
gptkbp:language
|
English
|
|
gptkbp:legacy
|
remains a significant work in American cinema.
|
|
gptkbp:main_character
|
gptkb:Marie
gptkb:Doc
|
|
gptkbp:music_by
|
gptkb:Franz_Waxman
|
|
gptkbp:notable_performance
|
gptkb:Burt_Lancaster
gptkb:Terry_Moore
gptkb:Sidney_Blackmer
gptkb:Shirley_Booth
gptkb:John_Mc_Giver
|
|
gptkbp:notable_quote
|
" Come back, little Sheba!"
|
|
gptkbp:performed_by
|
gptkb:musical
|
|
gptkbp:plot
|
A couple's life is disrupted by a young woman.
|
|
gptkbp:premiere_date
|
1950-12-12
|
|
gptkbp:premiered_on
|
1950
|
|
gptkbp:production_company
|
gptkb:Paramount_Pictures
|
|
gptkbp:published_by
|
gptkb:Random_House
|
|
gptkbp:release_date
|
December 18, 1952
|
|
gptkbp:release_year
|
gptkb:1952
|
|
gptkbp:remake
|
television film in 1977
|
|
gptkbp:runtime
|
98 minutes
|
|
gptkbp:screenings
|
black-and-white
|
|
gptkbp:screenplay_by
|
gptkb:William_Inge
|
|
gptkbp:setting
|
gptkb:Midwestern_United_States
|
|
gptkbp:starring
|
gptkb:Burt_Lancaster
gptkb:Terry_Moore
gptkb:Shirley_Booth
|
|
gptkbp:thematic_element
|
mental health
relationships
social issues
personal struggles
family dynamics
|
|
gptkbp:theme
|
disillusionment
|
|
gptkbp:themes
|
gptkb:drug
loneliness
regret
unfulfilled dreams
|
|
gptkbp:written_by
|
gptkb:William_Inge
|