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gptkbp:instance_of
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gptkb:art_movement
|
|
gptkbp:artistic_vision
|
emotional response
spiritual experience
visual impact
|
|
gptkbp:associated_with
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abstract expressionism
|
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gptkbp:characterized_by
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large areas of color
|
|
gptkbp:criticism
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gptkb:Harold_Rosenberg
gptkb:Clement_Greenberg
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gptkbp:decline
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1970s
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gptkbp:exemplified_by
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gptkb:Rothko_Chapel
gptkb:Louis’s_veil_paintings
large-scale canvases
Newman’s zip paintings
Frankenthaler’s soak-stain technique
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gptkbp:exhibitions
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gptkb:The_1964_Venice_Biennale
gptkb:The_New_American_Painting
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gptkbp:focuses_on
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spatial depth
color relationships
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|
https://www.w3.org/2000/01/rdf-schema#label
|
Color Field Painting Movement
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gptkbp:influenced
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gptkb:Minimalism
gptkb:Post-painterly_abstraction
|
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gptkbp:influenced_by
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gptkb:European_modernism
|
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gptkbp:legacy
|
influence on contemporary art
influence on installation art
influence on color theory
|
|
gptkbp:movement
|
gptkb:Color_Field
gptkb:Lyrical_Abstraction
Geometric Abstraction
|
|
gptkbp:notable_artists
|
gptkb:Barnett_Newman
gptkb:Helen_Frankenthaler
gptkb:Mark_Rothko
gptkb:Morris_Louis
|
|
gptkbp:notable_works
|
gptkb:No._61_(Rust_and_Blue)
gptkb:Vir_Heroicus_Sublimis
gptkb:Mountains_and_Sea
Blue and Gray
The Unfinished Painting
|
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gptkbp:originated_in
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gptkb:United_States
|
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gptkbp:premiered_on
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1950s
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gptkbp:technique
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flatness
staining
layering paint
pouring paint
|
|
gptkbp:bfsParent
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gptkb:Morris_Louis
|
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gptkbp:bfsLayer
|
5
|