|
gptkbp:instanceOf
|
gptkb:film
|
|
gptkbp:awardedBy
|
gptkb:Jim_Miller
gptkb:James_Newton_Howard
gptkb:Paul_Rubell
gptkb:Jamie_Foxx
|
|
gptkbp:boxOfficeGross
|
$220 million
|
|
gptkbp:budget
|
$65 million
|
|
gptkbp:cinematography
|
gptkb:Paul_Cameron
gptkb:Dion_Beebe
|
|
gptkbp:countryOfOrigin
|
gptkb:United_States
|
|
gptkbp:director
|
gptkb:Michael_Mann
|
|
gptkbp:distributor
|
gptkb:DreamWorks_Pictures
|
|
gptkbp:editor
|
gptkb:Jim_Miller
gptkb:Paul_Rubell
|
|
gptkbp:filmingLocation
|
gptkb:California
gptkb:Los_Angeles
|
|
gptkbp:genre
|
crime drama
neo-noir
|
|
gptkbp:hasTheme
|
morality
urban alienation
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Collateral (film)
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|
gptkbp:language
|
English
|
|
gptkbp:mainCharacter
|
gptkb:Vincent
Annie Farrell
Detective Fanning
Felix Reyes-Torrena
Max Durocher
|
|
gptkbp:musicBy
|
gptkb:James_Newton_Howard
|
|
gptkbp:nominatedFor
|
gptkb:Academy_Award_for_Best_Film_Editing
gptkb:Academy_Award_for_Best_Supporting_Actor
gptkb:Academy_Award_for_Best_Sound_Editing
Academy Award for Best Sound Mixing
|
|
gptkbp:producer
|
gptkb:Julie_Richardson
gptkb:Rob_Fried
gptkb:Michael_Mann
gptkb:Frank_Darabont
|
|
gptkbp:productionCompany
|
gptkb:Paramount_Pictures
gptkb:DreamWorks_Pictures
gptkb:Parkes/MacDonald_Productions
|
|
gptkbp:releaseDate
|
August 6, 2004
|
|
gptkbp:releaseYear
|
2004
|
|
gptkbp:runtime
|
120 minutes
|
|
gptkbp:screenwriter
|
gptkb:Stuart_Beattie
|
|
gptkbp:setIn
|
gptkb:Los_Angeles
|
|
gptkbp:starring
|
gptkb:Jada_Pinkett_Smith
gptkb:Mark_Ruffalo
gptkb:Jamie_Foxx
gptkb:Javier_Bardem
gptkb:Tom_Cruise
gptkb:Peter_Berg
|
|
gptkbp:bfsParent
|
gptkb:Shadow_on_the_Sun
|
|
gptkbp:bfsLayer
|
8
|