Statements (98)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:fictional_character
gptkb:character |
| gptkbp:appears_in |
gptkb:White_Heat
|
| gptkbp:associated_with |
Gangster films
gangster films |
| gptkbp:audience |
Critical acclaim
positive reviews |
| gptkbp:box_office |
$2 million
Commercial success |
| gptkbp:cause_of_death |
gunshot wound
|
| gptkbp:character_arc |
rise and fall
Downfall due to paranoia |
| gptkbp:character_development |
complex and layered
conflicted with law enforcement |
| gptkbp:character_motivation |
desire for freedom
|
| gptkbp:character_traits |
gptkb:Ruthless
gptkb:Charismatic Manipulative Psychopathic psychopathic |
| gptkbp:cinematography |
gptkb:James_Wong_Howe
|
| gptkbp:conflict |
gptkb:law_enforcement
|
| gptkbp:created_by |
gptkb:Virginia_Kellogg
|
| gptkbp:cultural_impact |
iconic criminal character
Influenced later crime films |
| gptkbp:death |
Confrontation with police
|
| gptkbp:director |
gptkb:Raoul_Walsh
|
| gptkbp:family |
gptkb:Cody's_gang
Ma Jarrett |
| gptkbp:famous_quote |
“ Top of the world, Ma!”
“ I’m not going to die in here!” |
| gptkbp:film_awards |
gptkb:AFI's_100_Years...100_Heroes_and_Villains
Nominated for Academy Awards |
| gptkbp:film_character_conflict |
internal and external struggles
|
| gptkbp:film_character_flaws |
gptkb:hubris
|
| gptkbp:film_character_influence |
inspired other characters in cinema
|
| gptkbp:film_character_legacy |
remains a significant figure in film history
|
| gptkbp:film_character_resolution |
tragic end
|
| gptkbp:film_character_symbolism |
represents chaos in society
|
| gptkbp:film_climactic_scene |
final confrontation
|
| gptkbp:film_editing |
George Amy
based on real-life criminals |
| gptkbp:film_iconography |
famous for his outbursts
|
| gptkbp:film_technique |
Film noir elements
influenced pop culture referenced in various media Character-driven narrative use of shadows Hardboiled dialogue Tension-filled scenes |
| gptkbp:filmography |
gptkb:anti-hero
|
| gptkbp:genre |
gptkb:Max_Steiner
Crime drama crime drama crime film |
| gptkbp:has_cameo |
not applicable
|
| gptkbp:has_family |
gptkb:Mother
|
| https://www.w3.org/2000/01/rdf-schema#label |
Cody Jarrett
|
| gptkbp:influence |
Cinematic portrayals of criminals
|
| gptkbp:influence_on |
subsequent gangster films
|
| gptkbp:is_motivated_by |
Desire for power
power and control |
| gptkbp:language_spoken |
memorable lines
|
| gptkbp:legacy |
Inspiration for future characters
considered a classic Study in film schools Cultural reference in other media Icon of 1940s cinema Iconic film villain |
| gptkbp:narrative |
non-linear storytelling
|
| gptkbp:notable_for |
his violent behavior
His violent behavior |
| gptkbp:occupation |
gptkb:crime
|
| gptkbp:portrayed_by |
gptkb:James_Cagney
|
| gptkbp:portrayed_in |
intense and volatile
|
| gptkbp:production_company |
gptkb:Warner_Bros.
|
| gptkbp:relation_to |
Ma Jarrett
|
| gptkbp:relationship |
Ma Jarrett
|
| gptkbp:relationship_with |
his gang
|
| gptkbp:release_year |
gptkb:1949
April 1949 |
| gptkbp:screenplay |
Virginia Kellogg and Ivan Goff
|
| gptkbp:setting |
gptkb:Los_Angeles
gptkb:United_States |
| gptkbp:symbolism |
Conflict between good and evil
Descent into madness represents the American Dream gone wrong Representation of the anti-hero Symbol of American crime |
| gptkbp:themes |
Family dynamics
Crime and punishment betrayal and loyalty Loyalty and betrayal Mental instability crime and punishment |
| gptkbp:writer |
gptkb:Virginia_Kellogg
|
| gptkbp:bfsParent |
gptkb:James_Cagney
|
| gptkbp:bfsLayer |
3
|