|
gptkbp:instance_of
|
gptkb:album
gptkb:novel
gptkb:song
|
|
gptkbp:adaptation
|
gptkb:television_series
gptkb:radio_station
gptkb:film
gptkb:stage_play
|
|
gptkbp:adaptation_year
|
gptkb:2012
|
|
gptkbp:album
|
gptkb:The_Rev._Gary_Davis
Cocaine Blues (album)
|
|
gptkbp:artist
|
gptkb:The_Rev._Gary_Davis
gptkb:John_Prine
gptkb:Rev._Gary_Davis
|
|
gptkbp:associated_act
|
The Prine Family
|
|
gptkbp:associated_with
|
American folk music
|
|
gptkbp:author
|
gptkb:Kerry_Greenwood
|
|
gptkbp:awards
|
gptkb:Australian_Book_Industry_Award
|
|
gptkbp:character
|
gptkb:Lily
gptkb:Dot_Williams
gptkb:Mr._Butler
Bert Johnson
Detective Inspector John Mc Naughton
|
|
gptkbp:chart_performance
|
gptkb:Billboard_Hot_Country_Songs
|
|
gptkbp:cover_art
|
gptkb:Cocaine_Blues_Cover
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gptkbp:cover_version
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gptkb:Johnny_Cash
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|
gptkbp:covered_by
|
gptkb:The_Avett_Brothers
gptkb:The_Black_Keys
gptkb:The_Civil_Wars
gptkb:The_Decemberists
gptkb:The_Head_and_the_Heart
gptkb:The_Infamous_Stringdusters
gptkb:The_Lone_Bellow
gptkb:The_Lumineers
gptkb:The_Oh_Hellos
gptkb:The_Paper_Kites
gptkb:The_Revivalists
gptkb:The_War_on_Drugs
gptkb:The_Allman_Brothers_Band
gptkb:The_Strumbellas
gptkb:The_Grateful_Dead
gptkb:The_Raconteurs
gptkb:Eric_Clapton
gptkb:The_Tallest_Man_on_Earth
gptkb:The_Wood_Brothers
gptkb:The_Wild_Feathers
gptkb:The_Devil_Makes_Three
gptkb:The_Mountain_Goats
gptkb:The_Dead_Weather
|
|
gptkbp:critical_reception
|
positive
|
|
gptkbp:cultural_impact
|
popular among mystery readers
|
|
gptkbp:duration
|
3 minutes 56 seconds
|
|
gptkbp:first_edition
|
1994 edition
|
|
gptkbp:followed_by
|
Flying Too High
|
|
gptkbp:genre
|
gptkb:mystery
gptkb:Country
blues
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Cocaine Blues
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|
gptkbp:influenced
|
gptkb:rock_music
|
|
gptkbp:influenced_by
|
gptkb:Woody_Guthrie
gptkb:horror_genre
gptkb:detective_fiction
gptkb:feminism
social issues
traditional blues
|
|
gptkbp:influences
|
gptkb:Agatha_Christie
gptkb:Arthur_Conan_Doyle
gptkb:folk_music
|
|
gptkbp:inspired_by
|
real events
1920s Melbourne society
|
|
gptkbp:is_popular_in
|
1950s
|
|
gptkbp:isbn
|
978-1-74114-123-0
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|
gptkbp:key
|
A major
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|
gptkbp:label
|
gptkb:Prestige_Records
gptkb:Atlantic_Records
|
|
gptkbp:language
|
English
|
|
gptkbp:length
|
3:00
3:30
40:00
3:56
|
|
gptkbp:live_performance
|
gptkb:Cocaine_Blues_Live
|
|
gptkbp:main_theme
|
gptkb:crime
|
|
gptkbp:narrative_style
|
third-person
|
|
gptkbp:next_album
|
gptkb:The_Best_of_the_Rev._Gary_Davis
gptkb:Diamonds_in_the_Rough
|
|
gptkbp:notable_cover
|
gptkb:The_Band
gptkb:The_Black_Crowes
gptkb:The_White_Buffalo
gptkb:Johnny_Cash
|
|
gptkbp:notable_song
|
gptkb:Cocaine_Blues
|
|
gptkbp:notable_track
|
gptkb:Cocaine_Blues
gptkb:You_Got_to_Move
gptkb:Death_Don't_Have_No_Mercy
I Am the Light of This World
I Got a Home in Glory Land
|
|
gptkbp:page_count
|
320
|
|
gptkbp:performed_by
|
gptkb:The_Rev._Gary_Davis
|
|
gptkbp:plot
|
Phryne Fisher challenges societal norms
Phryne Fisher encounters drug trafficking
Phryne Fisher investigates a murder
Phryne Fisher navigates 1920s society
Phryne Fisher solves a mystery
Phryne Fisher uses her wit and charm
|
|
gptkbp:previous_album
|
gptkb:The_Rev._Gary_Davis
gptkb:John_Prine
|
|
gptkbp:producer
|
gptkb:Arif_Mardin
gptkb:Bob_Thiele
|
|
gptkbp:protagonist
|
gptkb:Phryne_Fisher
|
|
gptkbp:published_in
|
gptkb:1994
|
|
gptkbp:publisher
|
gptkb:Allen_&_Unwin
|
|
gptkbp:record_label
|
gptkb:Columbia_Records
|
|
gptkbp:recording_location
|
gptkb:New_York_City
|
|
gptkbp:related_to
|
gptkb:historical_fiction
Australian literature
female detective fiction
|
|
gptkbp:release_date
|
1971-10-01
|
|
gptkbp:release_year
|
gptkb:1927
gptkb:1940
gptkb:1960
gptkb:1971
|
|
gptkbp:series
|
Phryne Fisher Mysteries
|
|
gptkbp:setting
|
gptkb:Melbourne
|
|
gptkbp:start_location
|
gptkb:Australia
gptkb:Victoria
gptkb:Melbourne_CBD
|
|
gptkbp:theme
|
drug use
|
|
gptkbp:track_count
|
gptkb:1
gptkb:10
|
|
gptkbp:writer
|
gptkb:The_Rev._Gary_Davis
gptkb:John_Prine
traditional
|
|
gptkbp:year
|
1920s
|
|
gptkbp:bfsParent
|
gptkb:Johnny_Cash
|
|
gptkbp:bfsLayer
|
3
|