|
gptkbp:instance_of
|
gptkb:film
|
|
gptkbp:bfsLayer
|
4
|
|
gptkbp:bfsParent
|
gptkb:Barbara_Stanwyck
gptkb:Fritz_Lang
|
|
gptkbp:allows
|
None reported
|
|
gptkbp:awards
|
Nominated for Academy Award
|
|
gptkbp:based_on
|
gptkb:play_by_Clifford_Odets
|
|
gptkbp:box_office
|
$1.5 million
|
|
gptkbp:character
|
gptkb:Bob
gptkb:Ruth
gptkb:Pete
gptkb:Jerry
Mae
|
|
gptkbp:cinematography
|
Paul Vogel
|
|
gptkbp:color
|
Black and white
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:critical_reception
|
Mixed reviews
|
|
gptkbp:cultural_impact
|
Influenced later films
|
|
gptkbp:director
|
gptkb:Fritz_Lang
|
|
gptkbp:distributor
|
gptkb:RKO_Radio_Pictures
|
|
gptkbp:editor
|
George Hively
|
|
gptkbp:film_festival
|
gptkb:film_festival
|
|
gptkbp:filming_location
|
California coast
|
|
gptkbp:filmography
|
100 minutes
|
|
gptkbp:genre
|
gptkb:High_School
film noir
|
|
gptkbp:home_media_release
|
gptkb:DJ
gptkb:film
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Clash by Night
|
|
gptkbp:influences
|
Film noir genre
|
|
gptkbp:inspiration
|
Real-life events
|
|
gptkbp:language
|
English
|
|
gptkbp:legacy
|
Classic film noir
|
|
gptkbp:music
|
gptkb:Hugo_Friedhofer
|
|
gptkbp:plot
|
A woman returns to her hometown and becomes involved with two men.
|
|
gptkbp:production_company
|
gptkb:RKO_Pictures
|
|
gptkbp:production_years
|
1951
|
|
gptkbp:release_date
|
April 10, 1952
|
|
gptkbp:release_format
|
Theatrical
|
|
gptkbp:release_year
|
gptkb:1952
|
|
gptkbp:remake
|
gptkb:None
|
|
gptkbp:runtime
|
100 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Charles_Schnee
|
|
gptkbp:setting
|
gptkb:California
|
|
gptkbp:soundtrack
|
Available on CD
|
|
gptkbp:starring
|
gptkb:Robert_Ryan
gptkb:Barbara_Stanwyck
gptkb:Paul_Douglas
gptkb:Marilyn_Monroe
|
|
gptkbp:themes
|
Love and betrayal
|
|
gptkbp:viewing_platform
|
gptkb:film
|