Statements (64)
Predicate | Object |
---|---|
gptkbp:instanceOf |
Photography
|
gptkbp:associatedWith |
gptkb:African_American_soldiers
Archives Soldiers Online archives Documentary films Emotional expression Photography workshops Historical reenactments Educational resources Casualties Photography exhibitions Historical documentation Historical societies Public history Battlefields Cultural memory Prisoners of war Reconstruction era Photography competitions Civil War memorials Civilian life Artistic interpretations Photography festivals Photography collections Photography critiques Photography publications Women in war Photography grants Photography history books Photography scholarships Medical_practices |
gptkbp:conservationEfforts |
Archiving
|
gptkbp:depictedIn |
Museums
|
gptkbp:exhibits |
The_Civil_War_in_Depth
|
gptkbp:hasProductLine |
gptkb:American_Civil_War
|
gptkbp:historicalSignificance |
Documenting the war
|
https://www.w3.org/2000/01/rdf-schema#label |
Civil War Photography
|
gptkbp:impact |
Influenced public perception of war
Contributed to visual culture Influenced photojournalism Inspired future war photography |
gptkbp:influencedBy |
Pictorialism
European_photography |
gptkbp:notableFeature |
gptkb:The_Civil_War:_A_Photographic_History
Photography_and_the_Civil_War |
gptkbp:notablePerson |
gptkb:Mathew_Brady
gptkb:William_H._Mumler gptkb:John_Reekie gptkb:Alexander_Gardner gptkb:George_Barnard gptkb:Timothy_O'Sullivan |
gptkbp:notableWork |
gptkb:The_Home_of_a_Rebel_Sharpshooter
gptkb:The_Harvest_of_Death The Dead of Antietam |
gptkbp:technique |
gptkb:Tintype
Daguerreotype Albumen print Stereoscopic photography |
gptkbp:technology |
Wet plate collodion
|
gptkbp:typeOf |
Documentary photography
|
gptkbp:usedFor |
Propaganda
Public awareness Historical record |