|
gptkbp:instance_of
|
gptkb:novel
|
|
gptkbp:adaptation
|
gptkb:radio_station
gptkb:graphic_novel
gptkb:theater
gptkb:film
|
|
gptkbp:adapted_into
|
gptkb:graphic_novel
|
|
gptkbp:author
|
gptkb:Paul_Auster
|
|
gptkbp:awards
|
gptkb:none
|
|
gptkbp:character
|
gptkb:Detective
gptkb:Peter_Stillman
the detective
the writer
the informant
Paul Auster (character)
Virginia Stillman
|
|
gptkbp:character_development
|
gptkb:complex
complex characters
|
|
gptkbp:conflict
|
external
internal
|
|
gptkbp:cover_artist
|
gptkb:David_Mazzucchelli
|
|
gptkbp:critical_reception
|
acclaimed
well-received
|
|
gptkbp:cultural_impact
|
gptkb:significant
|
|
gptkbp:director
|
gptkb:Simon_Mc_Burney
gptkb:Paul_Auster
|
|
gptkbp:ended
|
ambiguous
|
|
gptkbp:genre
|
gptkb:mystery
postmodern literature
|
|
gptkbp:graphic_novel_year
|
gptkb:2015
|
|
gptkbp:graphics
|
gptkb:Paul_Auster
gptkb:City_Lights_Publishers
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
City of Glass
|
|
gptkbp:influence
|
gptkb:literature
influential in postmodern literature
|
|
gptkbp:influenced
|
gptkb:literary_analysis
gptkb:literary_criticism
contemporary literature
|
|
gptkbp:influenced_artists
|
gptkb:David_Foster_Wallace
gptkb:Don_De_Lillo
gptkb:Haruki_Murakami
|
|
gptkbp:influenced_by
|
gptkb:existentialism
gptkb:Franz_Kafka
gptkb:Raymond_Chandler
gptkb:Jorge_Luis_Borges
gptkb:detective_fiction
|
|
gptkbp:inspired_by
|
gptkb:existentialism
gptkb:detective_fiction
|
|
gptkbp:is_discussed_in
|
academic studies
|
|
gptkbp:is_part_of
|
gptkb:The_Mortal_Instruments_universe
|
|
gptkbp:isbn
|
978-0-14-009735-5
978-0-14-303998-3
|
|
gptkbp:language
|
English
|
|
gptkbp:main_character
|
gptkb:Daniel_Quinn
gptkb:Quinn
|
|
gptkbp:motif
|
gptkb:Clone_Troopers
search for meaning
urban alienation
|
|
gptkbp:narrative
|
first-person
third-person
|
|
gptkbp:narrative_style
|
first-person
experimental
postmodern
metafiction
|
|
gptkbp:notable_quote
|
" I am not a detective."
" I was lost in the city."
" The city is a labyrinth."
|
|
gptkbp:notable_work
|
gptkb:The_New_York_Trilogy
|
|
gptkbp:page_count
|
192
|
|
gptkbp:part_of
|
gptkb:The_New_York_Trilogy
|
|
gptkbp:part_of_series
|
gptkb:The_New_York_Trilogy
|
|
gptkbp:plot
|
nonlinear
|
|
gptkbp:published_in
|
gptkb:1985
|
|
gptkbp:published_year
|
gptkb:1985
|
|
gptkbp:publisher
|
gptkb:Penguin_Books
gptkb:Viking_Press
|
|
gptkbp:reader_demographic
|
cult following
|
|
gptkbp:release_year
|
gptkb:2004
gptkb:2018
|
|
gptkbp:series
|
gptkb:The_New_York_Trilogy
|
|
gptkbp:setting
|
gptkb:New_York_City
|
|
gptkbp:symbolism
|
gptkb:City
gptkb:glass
gptkb:identity
writing
|
|
gptkbp:theater_adaptation_company
|
gptkb:Complicité
|
|
gptkbp:theme
|
gptkb:identity
isolation
urban life
|
|
gptkbp:translated_into
|
gptkb:French
gptkb:Spanish
gptkb:German
multiple languages
|
|
gptkbp:bfsParent
|
gptkb:Cassandra_Clare
gptkb:The_Stan_Kenton_Orchestra
gptkb:The_Mortal_Instruments:_City_of_Bones
|
|
gptkbp:bfsLayer
|
4
|