|
gptkbp:instance_of
|
gptkb:film
|
|
gptkbp:awards
|
gptkb:Best_Film_(Sight_&_Sound)
gptkb:Academy_Award_for_Best_Original_Screenplay
gptkb:Best_Actor
gptkb:1
Best Original Screenplay
Best Film of All Time (AFI)
|
|
gptkbp:box_office
|
$1.6 million
$1,585,000
|
|
gptkbp:budget
|
$839,727
|
|
gptkbp:character
|
gptkb:Susan_Alexander
gptkb:Emily_Monroe_Norton_Kane
gptkb:Charles_Foster_Kane
gptkb:Jedediah_Leland
Thatcher
Mr. Bernstein
|
|
gptkbp:cinematography
|
gptkb:Gregg_Toland
|
|
gptkbp:cinematography_by
|
gptkb:Gregg_Toland
|
|
gptkbp:color
|
black and white
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:country_of_origin
|
gptkb:United_States
|
|
gptkbp:critical_reception
|
widely acclaimed
highly acclaimed
initially mixed reviews
|
|
gptkbp:cultural_impact
|
Considered one of the greatest films of all time
considered one of the greatest films of all time
Cited as one of the greatest films of all time
|
|
gptkbp:cultural_significance
|
analyzed in film studies
|
|
gptkbp:design
|
gptkb:Robert_Wise
|
|
gptkbp:directed_by
|
gptkb:Orson_Welles
|
|
gptkbp:director
|
gptkb:Orson_Welles
|
|
gptkbp:distributor
|
gptkb:RKO_Radio_Pictures
|
|
gptkbp:edited_by
|
gptkb:Robert_Wise
|
|
gptkbp:editing
|
gptkb:Robert_Wise
|
|
gptkbp:famous_for
|
the use of deep focus
|
|
gptkbp:famous_quote
|
' Rosebud'.
|
|
gptkbp:features_character
|
gptkb:Susan_Alexander
gptkb:Charles_Foster_Kane
gptkb:Jedediah_Leland
Mr. Bernstein
|
|
gptkbp:film_editing
|
gptkb:Robert_Wise
|
|
gptkbp:film_score
|
gptkb:Bernard_Herrmann
|
|
gptkbp:film_technique
|
gptkb:sound_design
lighting
symbolism
flashbacks
dissolves
montage
deep focus
high-contrast lighting
low-angle shots
|
|
gptkbp:filming_location
|
gptkb:California
black and white
|
|
gptkbp:genre
|
gptkb:Thriller
gptkb:biography
gptkb:mystery
gptkb:drama
biographical
|
|
gptkbp:has_adaptation
|
gptkb:radio_station
gptkb:television_special
gptkb:documentary
gptkb:stage_play
|
|
gptkbp:has_awards
|
gptkb:Academy_Award_for_Best_Original_Screenplay
|
|
gptkbp:has_cameo
|
gptkb:Orson_Welles
gptkb:Gregg_Toland
gptkb:Marion_Davies
gptkb:Robert_Wise
gptkb:George_Orwell
gptkb:William_Randolph_Hearst
gptkb:David_O._Selznick
gptkb:Herman_J._Mankiewicz
|
|
gptkbp:has_cultural_impact
|
gptkb:significant
|
|
gptkbp:has_editing_by
|
gptkb:Robert_Wise
|
|
gptkbp:has_genre
|
gptkb:mystery
gptkb:drama
biographical
|
|
gptkbp:has_goal
|
gptkb:Bernard_Herrmann
|
|
gptkbp:has_language
|
English
|
|
gptkbp:has_legacy
|
influential in film studies
|
|
gptkbp:has_produced
|
gptkb:Orson_Welles
gptkb:George_Schaefer
|
|
gptkbp:has_soundtrack
|
gptkb:Bernard_Herrmann
|
|
gptkbp:has_symbol
|
gptkb:Rosebud
|
|
gptkbp:home_media_release
|
gptkb:DVD
gptkb:Blu-ray
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Citizen Kane
|
|
gptkbp:influenced
|
gptkb:Film_Noir
Modern Cinema
modern cinema
|
|
gptkbp:influenced_by
|
gptkb:German_Expressionism
gptkb:William_Randolph_Hearst
gptkb:Charles_Foster_Kane
gptkb:The_Great_Train_Robbery
|
|
gptkbp:inspiration
|
based on the life of William Randolph Hearst
Citizen Kane's life
|
|
gptkbp:is_considered
|
one of the greatest films of all time
|
|
gptkbp:is_considered_as
|
greatest film of all time
|
|
gptkbp:is_influential_in
|
gptkb:art_critics
|
|
gptkbp:is_portrayed_as
|
gptkb:Orson_Welles
gptkb:Ruth_Warrick
gptkb:Agnes_Moorehead
gptkb:William_Alland
gptkb:Joseph_Cotten
gptkb:Everett_Sloane
gptkb:Dorothy_Comingore
gptkb:Paul_Stewart
gptkb:Ray_Collins
|
|
gptkbp:language
|
English
|
|
gptkbp:legacy
|
studied in film schools
influenced filmmakers
cited in various media
|
|
gptkbp:main_character
|
gptkb:Charles_Foster_Kane
|
|
gptkbp:music
|
gptkb:Bernard_Herrmann
|
|
gptkbp:music_by
|
gptkb:Bernard_Herrmann
|
|
gptkbp:narrative
|
non-linear
|
|
gptkbp:narrative_style
|
Non-linear storytelling
|
|
gptkbp:notable_for
|
non-linear narrative
innovative sound design
deep focus cinematography
|
|
gptkbp:notable_quote
|
' Rosebud'
|
|
gptkbp:notable_scene
|
the final scene
the sled scene
the ' Rosebud' reveal
the breakfast montage
the newsreel opening
the opera house scene
|
|
gptkbp:premiere
|
gptkb:New_York_City
|
|
gptkbp:preserved_by
|
gptkb:National_Film_Registry
|
|
gptkbp:produced_by
|
gptkb:Orson_Welles
|
|
gptkbp:producer
|
gptkb:Orson_Welles
|
|
gptkbp:release_date
|
1941
1941-05-01
May 1, 1941
|
|
gptkbp:release_format
|
theatrical
|
|
gptkbp:released
|
1941
|
|
gptkbp:released_in
|
1941
|
|
gptkbp:released_on
|
May 1, 1941
|
|
gptkbp:restoration
|
2001 restoration by the Criterion Collection
|
|
gptkbp:runtime
|
119 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Orson_Welles
gptkb:Herman_J._Mankiewicz
|
|
gptkbp:set_in
|
gptkb:United_States
early 20th century
|
|
gptkbp:setting
|
early 20th century America
|
|
gptkbp:theme
|
gptkb:identity
gptkb:memory
the American Dream
power and corruption
loss and regret
|
|
gptkbp:themes
|
the American Dream
power and corruption
loss and regret
|
|
gptkbp:won_award
|
gptkb:Academy_Award_for_Best_Original_Screenplay
gptkb:9
|
|
gptkbp:writer
|
gptkb:Orson_Welles
gptkb:Herman_J._Mankiewicz
|
|
gptkbp:written_by
|
gptkb:Orson_Welles
gptkb:Herman_J._Mankiewicz
|
|
gptkbp:bfsParent
|
gptkb:Orson_Welles
gptkb:Bernard_Herrmann
gptkb:Hollywood_Golden_Age
gptkb:National_Film_Registry
gptkb:Academy_Award_for_Best_Picture
gptkb:The_Simpsons
gptkb:RKO_Pictures
|
|
gptkbp:bfsLayer
|
4
|