|
gptkbp:instance_of
|
gptkb:novel
|
|
gptkbp:adaptation
|
gptkb:none
unadapted
|
|
gptkbp:author
|
gptkb:William_S._Burroughs
|
|
gptkbp:cover_art
|
gptkb:David_L._H._Smith
|
|
gptkbp:critical_reception
|
mixed
|
|
gptkbp:cultural_impact
|
cult following
|
|
gptkbp:cultural_references
|
gptkb:musical
gptkb:artwork
various films
|
|
gptkbp:followed_by
|
gptkb:The_Place_of_Dead_Roads
|
|
gptkbp:genre
|
gptkb:Author
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Cities of the Red Night
|
|
gptkbp:influenced
|
postmodern literature
|
|
gptkbp:influenced_artists
|
gptkb:musician
gptkb:Author
gptkb:Film_Director
|
|
gptkbp:influences
|
gptkb:musician
surrealism
|
|
gptkbp:inspiration
|
Burroughs' experiences
|
|
gptkbp:is_critical_for
|
gender studies
psychoanalysis
postcolonial studies
|
|
gptkbp:isbn
|
978-0-14-004258-0
|
|
gptkbp:language
|
English
|
|
gptkbp:motif
|
gptkb:festival
travel
violence
|
|
gptkbp:narrative_style
|
third-person
non-linear
|
|
gptkbp:notable_character
|
gptkb:The_Captain
gptkb:The_Woman
gptkb:The_Kid
|
|
gptkbp:notable_quote
|
“ The only thing that matters is the story.”
“ The past is a fiction.”
“ I am a writer, and I write.”
|
|
gptkbp:page_count
|
256
|
|
gptkbp:precedes
|
The Western Lands
|
|
gptkbp:published_by
|
gptkb:1981
|
|
gptkbp:publisher
|
gptkb:Secker_&_Warburg
|
|
gptkbp:related_works
|
gptkb:Naked_Lunch
gptkb:The_Ticket_That_Exploded
gptkb:The_Soft_Machine
|
|
gptkbp:setting
|
gptkb:20th_century
a fictional city
fictional cities
|
|
gptkbp:style
|
experimental
|
|
gptkbp:themes
|
gptkb:TV_series
sexuality
drug use
|
|
gptkbp:bfsParent
|
gptkb:William_S._Burroughs
gptkb:The_Wild_Boys_(novel)
|
|
gptkbp:bfsLayer
|
4
|