Statements (43)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:film
|
| gptkbp:associated_with |
social issues
political commentary personal narratives cultural critique truth in representation |
| gptkbp:characterized_by |
documentary style
|
| gptkbp:criticism |
ethical concerns
authenticity debates impact on subjects subjectivity in documentary |
| gptkbp:cultural_impact |
influenced reality television
influenced ethnographic film influenced participatory documentary |
| gptkbp:developed_by |
1960s
|
| gptkbp:focuses_on |
realism
|
| https://www.w3.org/2000/01/rdf-schema#label |
Cinema Verité
|
| gptkbp:influenced |
modern documentary filmmaking
|
| gptkbp:influenced_by |
Direct Cinema
|
| gptkbp:legacy |
influenced filmmakers worldwide
contributed to the evolution of film theory established documentary as an art form inspired academic study of documentary paved the way for new documentary styles |
| gptkbp:notable_authors |
gptkb:Edgar_Morin
gptkb:Jean_Rouch gptkb:Richard_Leacock |
| gptkbp:notable_film |
gptkb:The_Man_Who_Skied_Down_Everest
gptkb:Chronicle_of_a_Summer gptkb:The_Gleaners_and_I Les Raquetteurs |
| gptkbp:origin |
gptkb:France
|
| gptkbp:related_concept |
gptkb:camera
ethnographic film social documentary participatory documentary observational cinema |
| gptkbp:technique |
handheld camera work
direct sound recording observational style interviews with subjects |
| gptkbp:bfsParent |
gptkb:Albert_Maysles
|
| gptkbp:bfsLayer |
5
|