Statements (100)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
gptkb:book
|
| gptkbp:author |
gptkb:Gilles_Deleuze
|
| gptkbp:countryOfOrigin |
gptkb:France
|
| gptkbp:exploresConcept |
crystal-image
direct time-image modern cinema philosophy of film time-image |
| gptkbp:followedBy |
gptkb:Cinema_1:_The_Movement-Image
|
| https://www.w3.org/2000/01/rdf-schema#label |
Cinema 2: The Time-Image
|
| gptkbp:influencedBy |
gptkb:Friedrich_Nietzsche
gptkb:Henri_Bergson gptkb:Marcel_Proust gptkb:Martin_Heidegger gptkb:André_Bazin gptkb:C._S._Peirce |
| gptkbp:ISBN |
978-0816616770
|
| gptkbp:notableIdea |
cinema and ethics
cinema and history cinema and image-types cinema and memory cinema and modernity cinema and narration cinema and perception cinema and philosophy cinema and politics cinema and reality cinema and signs cinema and space cinema and subjectivity cinema and the actual cinema and the actual image cinema and the any-space-whatever cinema and the automaton cinema and the body cinema and the brain cinema and the crisis of the action-image cinema and the direct time-image cinema and the empty shot cinema and the event cinema and the event-image cinema and the formless cinema and the image-crystal cinema and the indirect time-image cinema and the interstice cinema and the irrational cut cinema and the irrational interval cinema and the mental image cinema and the modern image cinema and the new image of thought cinema and the non-anthropomorphic cinema and the non-anthropomorphic image cinema and the non-causal narrative cinema and the non-chronological narrative cinema and the non-chronological time cinema and the non-figurative cinema and the non-figurative image cinema and the non-human perception cinema and the non-identity cinema and the non-linear narrative cinema and the non-narrative cinema cinema and the non-objective cinema and the non-objective image cinema and the non-organic life cinema and the non-psychological cinema and the non-psychological image cinema and the non-representational cinema and the non-representational image cinema and the non-subjective cinema and the non-subjective image cinema and the non-teleological narrative cinema and the non-totality cinema and the non-unity cinema and the outside cinema and the post-war image cinema and the powers of the false cinema and the pure optical and sound situation cinema and the seer cinema and the spiritual automaton cinema and the time-crystal cinema and the virtual cinema and the virtual image cinema and the witness cinema and thought cinema and time cinema as thought opsigns and sonsigns shift from movement-image to time-image |
| gptkbp:originalLanguage |
gptkb:French
|
| gptkbp:predecessor |
gptkb:Cinema_1:_The_Movement-Image
|
| gptkbp:publicationYear |
1985
|
| gptkbp:publisher |
gptkb:Les_Éditions_de_Minuit
|
| gptkbp:series |
gptkb:Cinema_(Deleuze)
|
| gptkbp:subject |
gptkb:film
gptkb:philosophy |
| gptkbp:title |
gptkb:University_of_Minnesota_Press
|
| gptkbp:translatedInto |
gptkb:Hugh_Tomlinson
gptkb:Robert_Galeta |
| gptkbp:bfsParent |
gptkb:Gilles_Deleuze
|
| gptkbp:bfsLayer |
4
|