Statements (49)
Predicate | Object |
---|---|
gptkbp:instanceOf |
painting
|
gptkbp:artwork |
Medieval art
|
gptkbp:associatedWith |
gptkb:Santa_Maria_Novella
gptkb:Italian_Renaissance_artists Santa Croce Basilica of San Francesco d'Assisi Florentine_painters |
gptkbp:birthDate |
c. 1240
|
gptkbp:culturalImpact |
Development of narrative in painting
Integration of religious themes in art Promotion of individual artist's identity Revival of interest in classical antiquity Influence_on_later_Renaissance_artists |
gptkbp:deathDate |
c. 1302
|
gptkbp:exhibits |
gptkb:National_Gallery,_London
gptkb:Uffizi_Gallery gptkb:Metropolitan_Museum_of_Art gptkb:Louvre_Museum Museo di San Salvatore in Lauro |
https://www.w3.org/2000/01/rdf-schema#label |
Cimabue
|
gptkbp:influenced |
gptkb:Giotto
|
gptkbp:influencedBy |
gptkb:Byzantine_art
|
gptkbp:inspiration |
Renaissance_artists
|
gptkbp:knownFor |
Early Renaissance painting
|
gptkbp:legacy |
Pioneer_of_the_Renaissance
Transition_from_Byzantine_to_Renaissance_style |
gptkbp:medium |
Fresco
Tempera |
gptkbp:movement |
Renaissance
|
gptkbp:nationality |
Italian
|
gptkbp:notableFeature |
gptkb:Franciscan_order
gptkb:Dominican_order Gothic architecture Romanesque art Giotto di Bondone |
gptkbp:notableWork |
Crucifixion
The Virgin and Child Enthroned Madonna di Santa Trinita |
gptkbp:placeOfBirth |
gptkb:Florence,_Italy
|
gptkbp:placeOfDeath |
gptkb:Assisi,_Italy
|
gptkbp:style |
Proto-Renaissance
|
gptkbp:technology |
Naturalism
Layering of paint Use of perspective Gold leaf application Symbolic color use |
gptkbp:workLocation |
gptkb:Florence
gptkb:Rome Assisi |