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gptkbp:instanceOf
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musical composition
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gptkbp:composer
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gptkb:Frédéric_Chopin
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gptkbp:countryOfOrigin
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gptkb:Poland
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gptkbp:dedicatedTo
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gptkb:Camille_Pleyel
gptkb:Ferdinand_Hiller
gptkb:Marie_Pleyel
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gptkbp:firstPublished
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1832
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gptkbp:form
|
ternary
ABA'
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gptkbp:genre
|
nocturne
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https://www.w3.org/2000/01/rdf-schema#label
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Chopin nocturnes
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gptkbp:influenced
|
later Romantic composers
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gptkbp:influencedBy
|
gptkb:John_Field
bel canto opera
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gptkbp:instrumentation
|
solo piano
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gptkbp:language
|
instrumental
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gptkbp:lastPublished
|
1846
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gptkbp:notableFeature
|
expressive melody
rich harmonies
lyrical phrasing
use of rubato
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gptkbp:notablePerformer
|
gptkb:Arthur_Rubinstein
gptkb:Vladimir_Ashkenazy
gptkb:Maurizio_Pollini
gptkb:Claudio_Arrau
gptkb:Maria_João_Pires
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gptkbp:notableRecording
|
Arthur Rubinstein 1965 RCA recording
Vladimir Ashkenazy 1975 Decca recording
Maria João Pires 1996 Deutsche Grammophon recording
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gptkbp:notableWork
|
gptkb:Nocturne_in_B-flat_minor,_Op._9,_No._1
gptkb:Nocturne_in_C-sharp_minor,_Op._posth.
gptkb:Nocturne_in_E-flat_major,_Op._9,_No._2
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gptkbp:numberOfBooks
|
21
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gptkbp:opusNumber
|
Op. 27
Op. 72
Op. 15
Op. 48
Op. 9
Op. 55
Op. 37
Op. posth.
Op. 32
Op. 62
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gptkbp:period
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gptkb:Romantic_era
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gptkbp:publishedBy
|
gptkb:Camille_Pleyel
gptkb:Maurice_Schlesinger
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|
gptkbp:style
|
expressive
lyrical
ornamented melody
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|
gptkbp:bfsParent
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gptkb:Liebestraum
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gptkbp:bfsLayer
|
7
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