|
gptkbp:instanceOf
|
gptkb:musical_composition
|
|
gptkbp:composer
|
gptkb:Frédéric_Chopin
|
|
gptkbp:countryOfOrigin
|
gptkb:Poland
|
|
gptkbp:dedicatedTo
|
gptkb:Camille_Pleyel
gptkb:Ferdinand_Hiller
gptkb:Marie_Pleyel
|
|
gptkbp:firstPublished
|
1832
|
|
gptkbp:form
|
ternary
ABA'
|
|
gptkbp:genre
|
nocturne
|
|
gptkbp:influenced
|
later Romantic composers
|
|
gptkbp:influencedBy
|
gptkb:John_Field
bel canto opera
|
|
gptkbp:instrumentation
|
solo piano
|
|
gptkbp:language
|
gptkb:instrumental
|
|
gptkbp:lastPublished
|
1846
|
|
gptkbp:notableFeature
|
expressive melody
rich harmonies
lyrical phrasing
use of rubato
|
|
gptkbp:notablePerformer
|
gptkb:Arthur_Rubinstein
gptkb:Vladimir_Ashkenazy
gptkb:Maurizio_Pollini
gptkb:Claudio_Arrau
gptkb:Maria_João_Pires
|
|
gptkbp:notableRecording
|
Arthur Rubinstein 1965 RCA recording
Vladimir Ashkenazy 1975 Decca recording
Maria João Pires 1996 Deutsche Grammophon recording
|
|
gptkbp:notableWork
|
gptkb:Nocturne_in_B-flat_minor,_Op._9,_No._1
gptkb:Nocturne_in_C-sharp_minor,_Op._posth.
gptkb:Nocturne_in_E-flat_major,_Op._9,_No._2
|
|
gptkbp:numberOfBooks
|
21
|
|
gptkbp:opusNumber
|
Op. 27
Op. 72
Op. 15
Op. 48
Op. 9
Op. 55
Op. 37
Op. posth.
Op. 32
Op. 62
|
|
gptkbp:period
|
gptkb:Romantic_era
|
|
gptkbp:publishedBy
|
gptkb:Camille_Pleyel
gptkb:Maurice_Schlesinger
|
|
gptkbp:style
|
expressive
lyrical
ornamented melody
|
|
gptkbp:bfsParent
|
gptkb:Liebestraum
|
|
gptkbp:bfsLayer
|
7
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Chopin nocturnes
|