|
gptkbp:instanceOf
|
art movement
|
|
gptkbp:alsoKnownAs
|
Modern Chinese poetry
|
|
gptkbp:associatedWith
|
gptkb:May_Fourth_Movement
|
|
gptkbp:characterizedBy
|
free verse
colloquial language
|
|
gptkbp:contrastsWith
|
gptkb:Classical_Chinese_poetry
|
|
gptkbp:emergedIn
|
early 20th century
|
|
gptkbp:firstPublished
|
gptkb:Hu_Shi
1917
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Chinese New Poetry
|
|
gptkbp:includes
|
gptkb:Misty_Poets
Modernist poets
Avant-garde poets
Nine Leaves poets
|
|
gptkbp:influenced
|
contemporary Chinese poetry
|
|
gptkbp:influencedBy
|
gptkb:Russian
Japanese folklore
English poetry
French poetry
Western poetry
|
|
gptkbp:language
|
Modern Chinese
|
|
gptkbp:notableFigure
|
gptkb:Hu_Shi
gptkb:Bing_Xin
gptkb:Guo_Moruo
gptkb:Xu_Zhimo
gptkb:Ai_Qing
gptkb:Bei_Dao
gptkb:Shu_Ting
gptkb:Dai_Wangshu
gptkb:Zhou_Zuoren
Mu Dan
|
|
gptkbp:notableWork
|
Ai Qing's "Dayanhe—My Nanny"
Bei Dao's "The Answer"
Hu Shi's "Experimentation"
Mu Dan's "Spring"
Shu Ting's "To the Oak"
Xu Zhimo's "Second Farewell to Cambridge"
|
|
gptkbp:originatedIn
|
gptkb:China
|
|
gptkbp:publishedIn
|
gptkb:New_Youth_magazine
|
|
gptkbp:subjectOf
|
literary criticism
academic research
|
|
gptkbp:theme
|
gptkb:political_party
existentialism
individualism
love
modernity
nature
patriotism
urban life
political struggle
personal emotion
|
|
gptkbp:translatedInto
|
gptkb:French
gptkb:German
English
Japanese
|
|
gptkbp:bfsParent
|
gptkb:Ai_Qing
|
|
gptkbp:bfsLayer
|
7
|