gptkbp:instance_of
|
gptkb:novel
gptkb:film
|
gptkbp:adaptation
|
gptkb:theatre
gptkb:radio_station
gptkb:graphic_novel
gptkb:film
Children of Men (film)
more focus on social issues
|
gptkbp:art_style
|
long takes
|
gptkbp:author
|
gptkb:P._D._James
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gptkbp:awards
|
gptkb:BAFTA_Award_for_Best_Production_Design
gptkb:award
gptkb:Academy_Award_for_Best_Film_Editing
gptkb:BAFTA_Award_for_Best_Cinematography
nominated for the British Science Fiction Association Award
|
gptkbp:based_on
|
gptkb:P._D._James
gptkb:novel
|
gptkbp:box_office
|
70 million USD
$70 million
|
gptkbp:budget
|
$76 million
76 million USD
|
gptkbp:character
|
gptkb:The_Child
gptkb:Luke
gptkb:Thelma
gptkb:Theo_Faron
gptkb:Miriam
gptkb:Ricky
gptkb:Julian_Taylor
The Warden
Jasper Palmer
Julianne Moore's character
Xan Lyppiatt
the Omega
Kee
Patricia Clarkson's character
|
gptkbp:character_development
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Theo's transformation
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gptkbp:cinematography
|
gptkb:Emmanuel_Lubezki
|
gptkbp:city
|
gptkb:Borough
|
gptkbp:country
|
gptkb:United_Kingdom
gptkb:United_States
|
gptkbp:critical_reception
|
positive
positive reviews
Certified Fresh on Rotten Tomatoes
|
gptkbp:cultural_impact
|
discussed in academic studies
influential film
inspired discussions on dystopian futures
inspired discussions on immigration
inspired discussions on human rights
inspired discussions on environmental issues
inspired discussions on immigration policy
inspired discussions on fertility issues
|
gptkbp:cultural_references
|
inspired discussions on ethics
referenced in other media
influenced other dystopian works
|
gptkbp:directed_by
|
gptkb:Alfonso_Cuarón
|
gptkbp:director
|
gptkb:Alfonso_Cuarón
|
gptkbp:edited_by
|
gptkb:Alfonso_Cuarón
gptkb:Alex_Rodríguez
|
gptkbp:editor
|
gptkb:Alex_Rodríguez
|
gptkbp:film_festival
|
gptkb:film_festival
gptkb:Toronto_International_Film_Festival
|
gptkbp:filming_location
|
gptkb:Borough
gptkb:England
gptkb:Mexico
gptkb:United_Kingdom
|
gptkbp:filmography
|
gptkb:Alfonso_Cuarón
English
109 minutes
long takes
handheld camera
|
gptkbp:genre
|
gptkb:Author
gptkb:Community_Center
gptkb:High_School
gptkb:John_Tavener
gptkb:film
|
gptkbp:home_media_release
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gptkb:DJ
gptkb:film
|
https://www.w3.org/2000/01/rdf-schema#label
|
Children of Men
|
gptkbp:influenced_by
|
gptkb:weapon
gptkb:Brave_New_World
gptkb:The_Handmaid's_Tale
gptkb:The_Road
gptkb:1984
gptkb:Community_Center
gptkb:A_Clockwork_Orange
gptkb:Fahrenheit_451
|
gptkbp:influences
|
gptkb:weapon
gptkb:Brave_New_World
gptkb:The_Handmaid's_Tale
gptkb:The_Road
gptkb:1984
|
gptkbp:inspiration
|
gptkb:P._D._James'_novel
environmental concerns
societal collapse
real-world issues of infertility
|
gptkbp:is_critical_for
|
explored in literary criticism
|
gptkbp:language
|
English
|
gptkbp:main_character
|
gptkb:Theo_Faron
|
gptkbp:motif
|
violence
pregnancy
apocalyptic imagery
|
gptkbp:music_by
|
gptkb:Philip_Glass
gptkb:John_Tavener
|
gptkbp:narrative_style
|
third-person
non-linear
limited omniscient
|
gptkbp:notable_appearance
|
final confrontation
the journey to safety
birth scene
car attack scene
refugee camp scene
|
gptkbp:notable_inductees
|
gptkb:BAFTA_Award_for_Best_Editing
gptkb:BAFTA_Award_for_Best_Film
gptkb:BAFTA_Award_for_Best_Production_Design
gptkb:Academy_Award_for_Best_Adapted_Screenplay
gptkb:Academy_Award_for_Best_Cinematography
gptkb:Academy_Award_for_Best_Original_Score
gptkb:BAFTA_Award_for_Best_Special_Visual_Effects
gptkb:BAFTA_Award_for_Best_Sound
gptkb:BAFTA_Award_for_Best_Cinematography
|
gptkbp:produced_by
|
gptkb:Universal_Pictures
|
gptkbp:production_company
|
gptkb:Universal_Pictures
|
gptkbp:published_by
|
gptkb:1992
|
gptkbp:rating
|
gptkb:R
84% on Rotten Tomatoes
79 on Metacritic
|
gptkbp:release_date
|
December 25, 2006
2006-09-22
September 22, 2006
|
gptkbp:release_region
|
gptkb:United_States
|
gptkbp:release_year
|
gptkb:2006
|
gptkbp:released_in
|
gptkb:2006
|
gptkbp:runtime
|
109 minutes
|
gptkbp:screenings
|
limited release
wide release
|
gptkbp:screenplay_by
|
gptkb:Mark_Fergus
gptkb:Alfonso_Cuarón
gptkb:Hawk_Ostby
gptkb:David_Arata
gptkb:Timothy_J._Sexton
|
gptkbp:set_in
|
2027
dystopian future
|
gptkbp:setting
|
future England
|
gptkbp:starring
|
gptkb:Julianne_Moore
gptkb:Clive_Owen
gptkb:Michael_Caine
gptkb:Chiwetel_Ejiofor
|
gptkbp:symbolism
|
hope and despair
|
gptkbp:theme
|
infertility
|
gptkbp:themes
|
gptkb:survival
gptkb:Community_Center
hope
fatherhood
despair
humanity's future
dystopia
government control
societal collapse
fertility crisis
|
gptkbp:written_by
|
gptkb:P._D._James
|
gptkbp:bfsParent
|
gptkb:P._D._James
gptkb:The_Last_of_Us
gptkb:The_Last_of_Us_Part_II
gptkb:Alfonso_Cuarón
|
gptkbp:bfsLayer
|
3
|