gptkbp:instanceOf
|
play
|
gptkbp:adaptation
|
Film adaptations
Theatrical performances
|
gptkbp:alumni
|
Regularly revived
|
gptkbp:audience
|
General public
High
Emotional engagement
|
gptkbp:basedOn
|
Rajasthani_folk_tales
|
gptkbp:characterArc
|
Charandas evolves throughout the play
|
gptkbp:characterDevelopment
|
Dynamic characters
|
gptkbp:collaborations
|
Various theatre groups
|
gptkbp:communicationEquipment
|
Critique of authority
|
gptkbp:conflict
|
Class struggle
|
gptkbp:criticalReception
|
Acclaimed
|
gptkbp:culturalHeritage
|
Rajasthani_folklore
|
gptkbp:culturalImpact
|
Significant_in_Indian_theatre_history
|
gptkbp:culturalSignificance
|
Promotes folk traditions
|
gptkbp:design
|
Traditional attire
|
gptkbp:director
|
gptkb:Habib_Tanvir
|
gptkbp:duration
|
Approximately 2 hours
|
gptkbp:genre
|
Drama
|
gptkbp:hasDescription
|
Minimalist
|
gptkbp:historical_analysis
|
Studied in theatre courses
|
gptkbp:historicalContext
|
gptkb:Post-independence_India
|
https://www.w3.org/2000/01/rdf-schema#label
|
Charandas Chor
|
gptkbp:influenced
|
Many contemporary playwrights
|
gptkbp:influencedBy
|
Brechtian theatre
|
gptkbp:influences
|
gptkb:Indian_theatre
|
gptkbp:inspiration
|
Folk_traditions_of_India
|
gptkbp:language
|
Hindi
|
gptkbp:legacy
|
Influential in contemporary theatre
|
gptkbp:lighting
|
Theatrical lighting
|
gptkbp:notableFeature
|
gptkb:National_School_of_Drama
The Queen
The King
Various theatre awards
Charandas
|
gptkbp:officialLanguage
|
Hindi
|
gptkbp:performance
|
Street theatre
Theatres_across_India
|
gptkbp:performances
|
Interactive
|
gptkbp:performedBy
|
Naya Theatre
|
gptkbp:premieredOn
|
1975
|
gptkbp:productionCompany
|
Naya Theatre
|
gptkbp:resolution
|
Social harmony
|
gptkbp:setting
|
gptkb:Rajasthan
|
gptkbp:soundtrack
|
Live music
Traditional Rajasthani music
|
gptkbp:style
|
Nukkad Natak
|
gptkbp:symbolism
|
Represents the common man
|
gptkbp:thematicElement
|
Justice_and_morality
|
gptkbp:theme
|
Social justice
|
gptkbp:wrote
|
gptkb:Habib_Tanvir
|