|
gptkbp:instance_of
|
gptkb:musical_composition
|
|
gptkbp:bfsLayer
|
4
|
|
gptkbp:bfsParent
|
gptkb:Ludwig_van_Beethoven
|
|
gptkbp:analysis
|
frequently analyzed in musicology
|
|
gptkbp:challenges
|
requires advanced cello technique
|
|
gptkbp:character
|
lyrical and expressive
|
|
gptkbp:composed_of
|
widely available in print
|
|
gptkbp:composer
|
gptkb:Ludwig_van_Beethoven
|
|
gptkbp:critical_reception
|
generally well-received by critics
|
|
gptkbp:cultural_impact
|
significant in Western classical music
|
|
gptkbp:cultural_significance
|
important work in cello repertoire
|
|
gptkbp:dedication
|
gptkb:Prince_Joseph_Franz_Maximilian_Lobkowitz
|
|
gptkbp:depth
|
varied emotional expression
|
|
gptkbp:duration
|
approximately 25 minutes
|
|
gptkbp:first_performance
|
1817
|
|
gptkbp:focuses_on
|
used in music education
|
|
gptkbp:genre
|
gptkb:Piano_Sonata
|
|
gptkbp:historical_context
|
varied interpretations by different artists
composed during Beethoven's late period
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Cello Sonata No. 4 in C major, Op. 102, No. 1
|
|
gptkbp:influences
|
gptkb:award
|
|
gptkbp:inspiration
|
inspired by personal experiences
|
|
gptkbp:instrumentation
|
cello and piano
|
|
gptkbp:is_a_venue_for
|
commonly performed in concert halls
|
|
gptkbp:key
|
C major
|
|
gptkbp:legacy
|
influenced later composers
|
|
gptkbp:movement
|
gptkb:Allegro
gptkb:3
gptkb:Adagio
sonata form
ternary form
rondo form
|
|
gptkbp:music_style
|
rich harmonic language
|
|
gptkbp:notable_performance
|
gptkb:Yo-Yo_Ma
|
|
gptkbp:notable_recordings
|
gptkb:Mischa_Maisky
numerous recordings exist
|
|
gptkbp:opus_number
|
Op. 102, No. 1
|
|
gptkbp:performance
|
frequent use of rubato
requires collaboration between cello and piano
|
|
gptkbp:published_by
|
1817
|
|
gptkbp:related_works
|
gptkb:Cello_Sonata_No._5_in_D_major,_Op._102,_No._2
gptkb:Cello_Sonata_No._3_in_A_major,_Op._69
|
|
gptkbp:style
|
Classical
|
|
gptkbp:thematic_element
|
distinctive themes throughout
|