gptkbp:instance_of
|
gptkb:musical_composition
|
gptkbp:characterized_by
|
dialogue between cello and piano
|
gptkbp:composer
|
gptkb:Ludwig_van_Beethoven
|
gptkbp:dedicated_to
|
gptkb:Prince_Joseph_Franz_Maximilian_Lobkowitz
|
gptkbp:duration
|
approximately 20 minutes
|
gptkbp:featured_in
|
concert programs
|
https://www.w3.org/2000/01/rdf-schema#label
|
Cello Sonata No. 4 in A major, Op. 102, No. 1
|
gptkbp:influenced_by
|
Romantic music
|
gptkbp:instrumentation
|
cello and piano
|
gptkbp:is_analyzed_in
|
musicologists
its thematic development
its structure
|
gptkbp:is_celebrated_for
|
its innovation in form
|
gptkbp:is_cited_in
|
music history books
|
gptkbp:is_considered_as
|
masterpiece of cello repertoire
|
gptkbp:is_often_compared_to
|
other Beethoven sonatas
|
gptkbp:is_often_discussed_in
|
music theory classes
|
gptkbp:is_often_featured_in
|
music anthologies
|
gptkbp:is_often_referenced_in
|
music literature
|
gptkbp:is_often_used_in
|
recitals
various interpretations
duos
chamber music settings
|
gptkbp:is_studied_in
|
music schools
|
gptkbp:key
|
A major
|
gptkbp:notable_for
|
its emotional depth
its lyrical melodies
its harmonic complexity
its use of counterpoint
its contrasting moods
|
gptkbp:number_of_movements
|
gptkb:3
|
gptkbp:often_includes
|
competition repertoire
cello competitions
|
gptkbp:opus_number
|
Op. 102, No. 1
|
gptkbp:part_of
|
gptkb:Beethoven's_cello_sonatas
|
gptkbp:performed_at
|
music festivals
|
gptkbp:performed_by
|
gptkb:Alisa_Weilerstein
gptkb:Daniel_Barenboim
gptkb:Rostropovich
gptkb:Jacqueline_du_Pré
gptkb:Gautier_Capuçon
|
gptkbp:published
|
1817
|
gptkbp:published_by
|
gptkb:Peters_Edition
|
gptkbp:recorded_by
|
gptkb:Yo-Yo_Ma
gptkb:Mischa_Maisky
gptkb:Steven_Isserlis
|
gptkbp:related_to
|
gptkb:Sonata_for_Piano_and_Cello_in_A_major
|
gptkbp:second_movement
|
gptkb:Allegro
gptkb:Adagio
|
gptkbp:style
|
Classical
|
gptkbp:bfsParent
|
gptkb:Ludwig_van_Beethoven
|
gptkbp:bfsLayer
|
4
|