Statements (41)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
gptkb:person
|
| gptkbp:almaMater |
gptkb:Ghent_University
|
| gptkbp:awardReceived |
Honorary Doctorate from Ghent University
Oscarla Award for Curatorial Excellence |
| gptkbp:dateOfBirth |
1955
|
| gptkbp:director |
gptkb:Museum_of_Fine_Arts,_Ghent
gptkb:The_Drawing_Center,_New_York gptkb:Art_Gallery_of_Ontario,_Toronto |
| gptkbp:gender |
female
|
| https://www.w3.org/2000/01/rdf-schema#label |
Catherine de Zegher
|
| gptkbp:knownFor |
promoting women artists
feminist art curation |
| gptkbp:nationality |
gptkb:Belgian
|
| gptkbp:notableWork |
co-curator of the 18th Biennale of Sydney
co-curator of the 1st Biennale of Cartagena co-curator of the 1st Moscow Biennale co-curator of the 4th Moscow Biennale co-curator of the 7th Gwangju Biennale co-curator of the 8th Biennale de Lyon curator of the 5th Moscow Biennale curator of the 55th Venice Biennale (Belgian Pavilion) |
| gptkbp:occupation |
gptkb:art_historian
curator |
| gptkbp:placeOfBirth |
gptkb:Aalst,_Belgium
|
| gptkbp:publishedIn |
On Line: Drawing Through the Twentieth Century
Alma Matrix: Shared Traces/Trazos Compartidos Drawing Papers 20: The Stage of Drawing Eva Hesse Drawing Freeing the Line From Line to Constellation Lygia Clark: The Abandonment of Art, 1948–1988 Mona Hatoum: Domestic Disturbance Mona Hatoum: The Entire World as a Foreign Land The Stage of Drawing: Gesture and Act Wols: Retrospective Women's Work is Never Done Women's Work: Is Never Done Inside the Visible: An Elliptical Traverse of 20th Century Art in, of, and from the Feminine 3 x Abstraction: New Methods of Drawing by Women Artists |
| gptkbp:bfsParent |
gptkb:Museum_of_Fine_Arts,_Ghent
|
| gptkbp:bfsLayer |
7
|