|
gptkbp:instance_of
|
gptkb:novel
|
|
gptkbp:adaptation
|
gptkb:film_adaptation
gptkb:television_series
gptkb:comedy
gptkb:film
gptkb:stage_play
miniseries adaptation
|
|
gptkbp:adaptation_year
|
gptkb:1970
gptkb:2019
|
|
gptkbp:adaptations
|
gptkb:television_series
gptkb:film
|
|
gptkbp:adapted_into
|
gptkb:television_series
gptkb:film
|
|
gptkbp:audience
|
mixed reviews
|
|
gptkbp:author
|
gptkb:Joseph_Heller
|
|
gptkbp:awards
|
gptkb:American_Academy_of_Arts_and_Letters_Award
gptkb:American_Academy_of_Arts_and_Letters
gptkb:James_Tait_Black_Memorial_Prize
gptkb:National_Book_Award
Time magazine's 100 best English-language novels since 1923
Distinguished Fiction Award from the American Library Association
|
|
gptkbp:based_on
|
Catch-22 (novel)
|
|
gptkbp:box_office
|
$25 million
$18 million
|
|
gptkbp:broadcast_network
|
gptkb:Hulu
|
|
gptkbp:cast
|
gptkb:George_Clooney
gptkb:Alan_Arkin
gptkb:Mike_Nichols
|
|
gptkbp:character
|
gptkb:Colonel_Cathcart
gptkb:The_Texan
gptkb:General_Dreedle
gptkb:General_Peckem
gptkb:Major_Danby
gptkb:Nately's_girlfriend
gptkb:Milo_Minderbinder's_syndicate
gptkb:The_Narrator
gptkb:The_Waiter
gptkb:Yossarian
gptkb:Milo_Minderbinder
gptkb:Doc_Daneeka
gptkb:The_Italian
gptkb:Dunbar
gptkb:The_Chaplain
gptkb:Major_Major_Major_Major
gptkb:Aarfy
gptkb:Chaplain_Tappman
gptkb:Clevinger
gptkb:Mc_Watt
gptkb:Nately
gptkb:Nately's_Whore
gptkb:Orr
gptkb:The_Soldier_in_White
The Woman in the Bar
The Man in the Bar
The Old Man in the Bar
The Girl in the Bar
Yossarian's love interest
The Young Man in the Bar
Havermeyer
|
|
gptkbp:character_development
|
satirical portrayal of military life
|
|
gptkbp:cinematography_by
|
gptkb:David_Watkin
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:creator
|
gptkb:Luke_Davies
|
|
gptkbp:critical_reception
|
cult classic
widely acclaimed
mixed to positive
mixed reviews at publication
|
|
gptkbp:cult_status
|
cult classic
|
|
gptkbp:cultural_impact
|
influenced popular culture
influential work
widely referenced in popular culture
influenced anti-war movements
popular phrase ' Catch-22'
term ' Catch-22' entered the lexicon
popularized term ' Catch-22'
|
|
gptkbp:cultural_references
|
gptkb:Family_Guy
gptkb:The_Big_Bang_Theory
gptkb:The_Office
gptkb:The_Simpsons
gptkb:South_Park
|
|
gptkbp:directed_by
|
gptkb:Mike_Nichols
|
|
gptkbp:director
|
gptkb:Mike_Nichols
|
|
gptkbp:discusses
|
moral dilemmas
|
|
gptkbp:edited_by
|
gptkb:Sam_O'_Steen
|
|
gptkbp:explores
|
mental health issues
|
|
gptkbp:featured_in
|
American literary canon
|
|
gptkbp:film
|
gptkb:Alan_Arkin
gptkb:World_War_II
gptkb:Jack_Gilford
gptkb:Martin_Balsam
English
|
|
gptkbp:film_awards
|
Academy Award nomination for Best Supporting Actor
Golden Globe nomination for Best Motion Picture – Musical or Comedy
|
|
gptkbp:film_editing
|
loose adaptation
|
|
gptkbp:first_published
|
gptkb:1961
|
|
gptkbp:followed_by
|
Something Happened
|
|
gptkbp:genre
|
gptkb:satire
gptkb:drama
satirical novel
satirical comedy
|
|
gptkbp:has_character
|
gptkb:Colonel_Cathcart
gptkb:The_Texan
gptkb:General_Dreedle
gptkb:General_Peckem
gptkb:Lieutenant_Scheisskopf
gptkb:Major_Danby
gptkb:The_Nurse
gptkb:The_Captain
gptkb:The_Friend
gptkb:The_Man
gptkb:The_Old_Man
gptkb:The_Stranger
gptkb:The_Woman
gptkb:The_Comic_Relief
gptkb:The_Doctor
gptkb:The_Hero
gptkb:The_Mentor
gptkb:The_Soldier
gptkb:Mademoiselle_Yvette
gptkb:Yossarian
gptkb:Milo_Minderbinder
gptkb:The_Protagonist
gptkb:The_Villain
gptkb:Doc_Daneeka
gptkb:The_Enemy
gptkb:Dunbar
gptkb:The_Chaplain
gptkb:Major_Major_Major_Major
gptkb:The_Colonel
gptkb:The_Pilot
gptkb:Aarfy
gptkb:Clevinger
gptkb:Mc_Watt
gptkb:Nately
gptkb:Orr
gptkb:The_Soldier_in_White
The Sidekick
The Lieutenant
The Major
The Love Interest
The Antagonist
The Antihero
The Sergeant
The Corporal
The Private
The Girl in the Bar
Milo's Syndicate
The Italian Girl
Orr's Wife
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Catch-22
|
|
gptkbp:influence
|
postmodern literature
|
|
gptkbp:influence_on
|
anti-war movements
|
|
gptkbp:influenced
|
gptkb:popular_culture
subsequent literature
subsequent war literature
TV series M* A* S* H
film Dr. Strangelove
novel A Clockwork Orange
novel Slaughterhouse-Five
novel The Things They Carried
film and literature about war
|
|
gptkbp:inspiration
|
Heller's own experiences in the war
Heller's own experiences
|
|
gptkbp:inspired
|
Catch-22 term in popular usage
|
|
gptkbp:inspired_by
|
Heller's experiences in the war
Heller's own experiences
|
|
gptkbp:is_cited_in
|
gptkb:documentaries
gptkb:literary_criticism
political discourse
academic papers
philosophical discussions
psychological studies
sociological studies
legal discussions
media reviews
|
|
gptkbp:is_portrayed_as
|
gptkb:Colonel_Cathcart
gptkb:The_Texan
gptkb:The_Captain
gptkb:Yossarian
gptkb:Milo_Minderbinder
gptkb:Doc_Daneeka
gptkb:The_Italian
gptkb:Dunbar
gptkb:The_Chaplain
gptkb:Major_Major_Major_Major
gptkb:The_General
gptkb:The_Colonel
gptkb:Aarfy
gptkb:Chaplain_Tappman
gptkb:Clevinger
gptkb:Mc_Watt
gptkb:Nately
gptkb:Nately's_Whore
gptkb:Orr
gptkb:The_Soldier_in_White
The Lieutenant
The Major
The Sergeant
The Corporal
The Private
Havermeyer
|
|
gptkbp:isbn
|
978-1451626650
978-0-684-83339-0
978-0-684-83339-5
|
|
gptkbp:language
|
English
|
|
gptkbp:main_character
|
gptkb:Yossarian
|
|
gptkbp:music_by
|
gptkb:Kenyon_Hopkins
|
|
gptkbp:narrative
|
third-person
third-person omniscient
|
|
gptkbp:narrative_style
|
non-linear
nonlinear
dark humor
nonlinear narrative
|
|
gptkbp:notable_characters
|
gptkb:Colonel_Cathcart
gptkb:Milo_Minderbinder
gptkb:Doc_Daneeka
gptkb:Major_Major_Major_Major
gptkb:Orr
|
|
gptkbp:notable_quote
|
gptkb:Catch-22
“ It’s a catch-22.”
" Catch-22"
' It’s a catch-22 situation.'
' There was only one catch and that was Catch-22.'
' They’re trying to kill me.'
' Just because you’re paranoid doesn’t mean they aren’t after you.'
' The enemy is anybody who's going to get you killed, no matter which side he’s on.'
" It’s a catch-22 situation"
|
|
gptkbp:page_count
|
453
|
|
gptkbp:premiere_episode
|
gptkb:6
|
|
gptkbp:produced_by
|
gptkb:Miloš_Forman
|
|
gptkbp:protagonist
|
gptkb:Yossarian
|
|
gptkbp:published
|
gptkb:1961
|
|
gptkbp:published_by
|
gptkb:Simon_&_Schuster
|
|
gptkbp:published_in
|
gptkb:1961
|
|
gptkbp:publisher
|
gptkb:Simon_&_Schuster
|
|
gptkbp:rank
|
one of the greatest novels of the 20th century
|
|
gptkbp:release_year
|
gptkb:1970
gptkb:1971
gptkb:2019
|
|
gptkbp:screenplay_by
|
gptkb:Buck_Henry
|
|
gptkbp:set_in
|
gptkb:World_War_II
|
|
gptkbp:setting
|
gptkb:World_War_II
|
|
gptkbp:stage_play_adapted_by
|
gptkb:Heller
|
|
gptkbp:starring
|
gptkb:Alan_Arkin
gptkb:Orson_Bean
gptkb:John_Voight
gptkb:Jack_Gilford
gptkb:Bob_Newhart
gptkb:Richard_Benjamin
gptkb:Martin_Balsam
gptkb:Nina_Foch
|
|
gptkbp:symbolism
|
survival instinct
military bureaucracy
freedom vs. control
Catch-22 rule
insanity of war
|
|
gptkbp:television_series_based_on
|
gptkb:novel
|
|
gptkbp:theme
|
absurdity of war
|
|
gptkbp:themes
|
gptkb:survival
gptkb:government
gptkb:war
mental health
absurdity
absurdity of war
|
|
gptkbp:translated_into
|
multiple languages
|
|
gptkbp:written_by
|
gptkb:Joseph_Heller
|
|
gptkbp:bfsParent
|
gptkb:Hulu
gptkb:Joseph_Heller
gptkb:Art_Garfunkel
gptkb:B-25_Mitchell
|
|
gptkbp:bfsLayer
|
4
|