|
gptkbp:instance_of
|
gptkb:film
|
|
gptkbp:awards
|
gptkb:Cannes_Film_Festival_Best_Actress
|
|
gptkbp:based_on
|
novel by Jacques Becker
|
|
gptkbp:box_office
|
successful in France
|
|
gptkbp:character
|
gptkb:Manda
gptkb:Gaston
gptkb:César
gptkb:Marie
gptkb:Léon
|
|
gptkbp:cinematography
|
gptkb:Ghislain_Cloquet
|
|
gptkbp:color
|
black and white
|
|
gptkbp:country
|
gptkb:Monarch
|
|
gptkbp:critical_reception
|
well-received by critics
|
|
gptkbp:cultural_impact
|
influential in French cinema
|
|
gptkbp:director
|
gptkb:Jacques_Becker
|
|
gptkbp:edited_by
|
gptkb:Marguerite_Renoir
|
|
gptkbp:film_festival
|
gptkb:film_festival
|
|
gptkbp:film_score
|
Joseph Kosma's score praised.
|
|
gptkbp:genre
|
gptkb:High_School
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Casque d'or
|
|
gptkbp:influenced
|
directors like François Truffaut.
directors like Jean-Luc Godard.
the gangster genre.
the romance genre.
|
|
gptkbp:influenced_by
|
gptkb:French_New_Wave
Italian neorealism.
French poetic realism.
|
|
gptkbp:inspiration
|
inspired other films
|
|
gptkbp:is_available_on
|
gptkb:DJ
gptkb:film
|
|
gptkbp:language
|
gptkb:French
|
|
gptkbp:legacy
|
considered a classic of French cinema
|
|
gptkbp:music_by
|
gptkb:Joseph_Kosma
|
|
gptkbp:notable_appearance
|
the final confrontation.
the ending.
the bar scene.
the dance scene.
the meeting in the park.
|
|
gptkbp:plot
|
A love story set in the world of Parisian gangsters.
|
|
gptkbp:premiere
|
gptkb:film_festival
|
|
gptkbp:produced_by
|
gptkb:Groupe_de_Recherches_Audiovisuelles
|
|
gptkbp:release_date
|
1952-09-10
|
|
gptkbp:release_year
|
gptkb:1952
|
|
gptkbp:remake
|
gptkb:La_Môme
|
|
gptkbp:runtime
|
100 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Jacques_Becker
|
|
gptkbp:set_in
|
gptkb:Paris
|
|
gptkbp:starring
|
gptkb:Simone_Signoret
gptkb:Claude_Dauphin
gptkb:Serge_Reggiani
|
|
gptkbp:theme
|
love and betrayal
|
|
gptkbp:bfsParent
|
gptkb:Jacques_Becker
|
|
gptkbp:bfsLayer
|
5
|