|
gptkbp:instanceOf
|
gptkb:person
playwright
|
|
gptkbp:activeYearsEnd
|
present
|
|
gptkbp:activeYearsStart
|
1958
|
|
gptkbp:almaMater
|
gptkb:Lady_Margaret_Hall,_Oxford
|
|
gptkbp:awardReceived
|
gptkb:Emmy_Award
gptkb:Evening_Standard_Award_for_Best_Play
gptkb:Susan_Smith_Blackburn_Prize
|
|
gptkbp:birthDate
|
1938-09-03
|
|
gptkbp:birthPlace
|
gptkb:London
|
|
gptkbp:children
|
3
|
|
gptkbp:education
|
gptkb:Lady_Margaret_Hall,_Oxford
|
|
gptkbp:firstPlay
|
gptkb:Downstairs
|
|
gptkbp:firstPlayYear
|
1958
|
|
gptkbp:genre
|
gptkb:theatre
drama
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Caryl Churchill
|
|
gptkbp:influenced
|
gptkb:Jack_Thorne
gptkb:Lucy_Kirkwood
gptkb:Sarah_Kane
|
|
gptkbp:influencedBy
|
gptkb:Bertolt_Brecht
gptkb:Samuel_Beckett
|
|
gptkbp:language
|
English
|
|
gptkbp:movement
|
feminism
postmodernism
political theatre
|
|
gptkbp:nationality
|
British
|
|
gptkbp:notableWork
|
gptkb:Cloud_Nine
gptkb:Escaped_Alone
gptkb:Far_Away
gptkb:Top_Girls
gptkb:Serious_Money
A Number
|
|
gptkbp:occupation
|
playwright
songwriter
|
|
gptkbp:residence
|
gptkb:London
|
|
gptkbp:spouse
|
gptkb:David_Harter
|
|
gptkbp:subjectOf
|
biographies
critical studies
|
|
gptkbp:wrote
|
gptkb:Cloud_Nine
gptkb:Blue_Heart
gptkb:Escaped_Alone
gptkb:Light_Shining_in_Buckinghamshire
gptkb:Love_and_Information
gptkb:Mad_Forest
gptkb:Seven_Jewish_Children
gptkb:Softcops
gptkb:The_Skriker
gptkb:Far_Away
gptkb:Top_Girls
gptkb:Feywild
gptkb:Here_We_Go
gptkb:Serious_Money
A Number
Owners
This is a Chair
|
|
gptkbp:bfsParent
|
gptkb:Bertolt_Brecht
gptkb:Tony_Kushner
gptkb:European_Theatre
|
|
gptkbp:bfsLayer
|
4
|